| Description |
xxiv, 352 pages : illustrations ; 25 cm. |
| Series |
Ashgate contemporary thinkers on critical musicology series
|
|
Ashgate contemporary thinkers on critical musicology.
|
| Bibliography |
Includes bibliography of Susan McClary's publications (pages xvii- xxiv), bibliographical references, and index. |
| Contents |
pt 1. Interpretation and polemics. Pitches, expression, ideology : an exercise in mediation (1983) ; The blasphemy of talking politics during Bach year (1987) ; Narrative agendas in "absolute" music : identity and difference in Brahms's Third symphony (1993) ; Terminal prestige : the case of avant-garde music composition (1989) -- pt. 2. Gender and sexuality. A material girl in Bluebeard's castle (1991) ; Structures of identity and difference in Bizet's Carmen (1997) ; Constructions of subjectivity in Schubert's music (1994) -- pt. 3. Popular music. "Same as it ever was" : youth culture and music (1994) ; Living to tell : Madonna's resurrection of the fleshly (1990) ; Thinking blues (2000) -- pt. 4. Early music. The cultural work of the madrigal (2004) ; Cycles of repetition : chacona, ciaccona, chaconne, and the chaconne (2007). |
| Subject |
Music -- History and criticism.
|
|
Music. |
| ISBN |
9780754626725 alkaline paper |
|
0754626725 alkaline paper |
|
