| Description |
xx, 242 pages : illustration ; 26 cm. |
| Series |
Cambridge studies in music theory and analysis ; 18
|
|
Cambridge studies in music theory and analysis ; 18.
|
| Bibliography |
Includes bibliographical references (pages 226-237) and index. |
| Contents |
I. Early Romantic Forms of Difference -- 1. Introduction -- 2. Romantic fragment -- 3. Romantic irony -- 4. Reflection, language and music -- 5. Theories of song: Schumann's 'higher sphere of art' -- II. Heine's Signature of Modernity: The Lyrisches Intermezzo -- 6. Introduction -- 7. Heine, the Romantics and disenchantment -- 8. Endings, cuts, cyclicity -- 9. Heine's imago of a woman -- 10. Genesis of the Buch der Lieder -- III. Poetics of Dichterliebe -- 11. Introduction -- 12. Schumann's reception of Heine and the Buch der Lieder -- 13. Musico-poetic analysis -- i. Romantic concept of 'poetic time' in Dichterliebe -- ii. Sehnen und Verlangen fulfilled in a Romantic fragment -- iii. Romantic reflection on a tonal metaphor for the amorous: the diminished-seventh chord in Dichterliebe -- iv. Ironic glance back: the last postlude. |
| Subject |
Schumann, Robert, 1810-1856. Dichterliebe.
|
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Romanticism in music.
|
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Romanticism in music. |
| ISBN |
0521814790 hardback |
|
9780521814799 hardback |
|
9780521042451 |
|
0521042453 |
|
