| Edition |
[Enhanced Credo edition] |
| Description |
1 online resource (34 entries) : 62 images ; digital files. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Wiley Blackwell companions to art history ; 13
|
|
Wiley-Blackwell companions to art history ; 13.
|
| Bibliography |
Includes bibliographical references. |
| Contents |
Acknowledgments -- Notes on contributors -- Introduction -- Part I. Ancient & modern : Chapter 1. Revitalizing Romanticism; or, reflections on the Nietzschean aesthetic and the modern imagination; Chapter 2. A cartography of desires and taboos: the modern primitive and the Antipodes; Chapter 3. Primitive/modern/contemporary; Chapter 4. Did modernism redefine classicism? The ancient modernity of classical Greek Art; Chapter 5. Robert Goldwater and the search for the primitive: the Asmat Project at the Museum of Primitive Art; Chapter 6. Surrealist Ireland: the archaic, the modern and the marvelous -- Part II. Displaying the modern: Chapter 7. Picturing the installation shot; Chapter 8. Contemporary displays of modern art; Chapter 9. Camera-eye: photography and modernism; Chapter 10. Photographic installation strategies en-bloc and in-the-round; Chapter 11. Documenta 6: memories of another modernism -- Part III. Re-assessments: modernism and globalization: Chapter 12. Bijiasuo and truth: modernism reassessed in an era of globalization; Chapter 13. Extensive modernity: on the refunctioning of artists as producers; Chapter 14. Architecture's modernisms; Chapter 15. The wide margins of the century: rural modernism, pastoral peasants, and economic migrations; Chapter 16. Destabilizing essentialism through localizing modernism; -- |
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Part IV. Locating modernism: multiple modernisms and nation building: Chapter 17. The many modernisms of Australian art; Chapter 18. Greek-Cypriot Locality: (re) defining our understanding of European modernity; Chapter 19. A northern avant-garde: spaces and cultural transfer; Chapter 20. Modernisms, genealogy, and utopias in Finland; Chapter 21. The engaged artist: considerations of relevance; Chapter 22. Visualizing figures of Caribbean slavery through modernism -- Part V. The modern artist, the modern child, and a modern art education: Chapter 23. A modern art education; Chapter 24. Misrecognition: child's play, modern art, and Vygotskian psychology; Chapter 25. MoMA and the modern child: the critical role of education programming in MoMA's Modernism; Chapter 26. Paul Cézanne's Young girl at the piano - Overture to "Tannhäuser" or "Le Haschisch des femmes". |
| Access |
Access restricted to authorized users and institutions. |
| Summary |
A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. |
| System Details |
Mode of access: World Wide Web. |
| Local Note |
Credo Reference General Reference |
| Subject |
Modern art.
|
| Genre/Form |
Electronic books.
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| Added Author |
Meecham, Pam, editor.
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|
Credo Reference (Firm), distributor.
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| Other Form: |
Print version: 1118639847 9781118639849 (DLC) 2017016070 xvi, 552 pages : illustrations |
| ISBN |
9781787856271 electronic version |
|
9781118639870 electronic book |
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1118639871 electronic book |
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9781118639948 electronic book |
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1118639944 electronic book |
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9781118639801 electronic book |
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1118639804 electronic book |
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9781118639849 hardcover |
|
