| Description |
319 pages : illustrations (some color) ; 32 cm |
| Exhibitions |
Published in conjunction with an exhibition held at the National Portrait Gallery, Smithsonian Institution, Washington, D.C., Mar. 27, 2009-Aug. 2, 2009. |
| Bibliography |
Includes bibliographical references (pages 308-309) and index. |
| Contents |
Inventing Marcel Duchamp: the dynamics of portraiture / Anne Collins Goodyear and James W. McManus -- The recurrent, haunting ghost: depictions of Marcel Duchamp by his contemporaries and ours / Francis M. Naumann -- Bachelorettes / Janine A. Mileaf -- Not seen and/or less seen: hiding in front of the camera / James W. McManus -- Constructing a "made-up history" : self-portrayal and the legacy of Marcel Duchamp / Anne Collins Goodyear -- Marcel Duchamp and portraiture / Michael R. Taylor. |
| Summary |
One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art. |
| Subject |
Duchamp, Marcel, 1887-1968 -- Portraits -- Exhibitions.
|
|
Duchamp, Marcel, 1887-1968. |
| Genre/Form |
Portraits.
|
| Subject |
Portraits -- History -- 20th century -- Exhibitions.
|
|
Portraits. |
|
History. |
| Chronological Term |
20th century |
| Subject |
Art, Modern -- 20th century -- Exhibitions.
|
|
Art, Modern. |
|
Duchamp, Marcel (1887-1968) -- Portraits. |
|
Portraits -- 20e siècle -- Expositions. |
| Genre/Form |
Portraits.
|
|
Exhibition catalogs.
|
|
Exhibition catalogs.
|
| Added Author |
Goodyear, Anne Collins.
|
|
McManus, James W., 1942-
|
|
Mileaf, Janine A.
|
|
Naumann, Francis M.
|
|
Taylor, Michael R., 1966-
|
|
National Portrait Gallery (Smithsonian Institution)
|
| Added Title |
Dynamics of portraiture |
| Other Form: |
Online version: Inventing Marcel Duchamp. Washington, D.C. : National Portrait Gallery, Smithsonian Institution ; Cambridge, Mass. : MIT Press, c2009 (OCoLC)619210643 |
| ISBN |
9780262013000 hardcover alkaline paper |
|
0262013002 hardcover alkaline paper |
|
