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005 20161029080430.7
006 m o d
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008 131226t20042003gw o 001 0 eng d
019 865334332|a871238824
020 9780226029313|q(e-book)
020 022602931X|q(e-book)
020 |z9780226823720
020 |z0226823725
020 |z9781306192330
020 |z1306192331
035 (OCoLC)884543218|z(OCoLC)865334332|z(OCoLC)871238824
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049 RIDW
050 4 N6888.E7|b.U25 2004eb
072 7 ART|x015000|2bisacsh
082 04 709.2
090 N6888.E7|b.U25 2004eb
100 1 Ubl, Ralph.|0https://id.loc.gov/authorities/names/
no2005082197
245 10 Prehistoric future :|bMax Ernst and the return of painting
between the wars /|cRalph Ubl ; translated by Elizabeth
Tucker.
264 1 Paderborn, Germany ;|aChicago, Illinois :|bWilhelm Fink
Verlag :|bUniversity of Chicago Press,|c2004.
264 4 |c©2003
300 1 online resource (260 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
500 Includes index.
505 0 Preface; Introduction; Chapter 1 -- From Dada to
Surrealism: The Ghost Story of Mimesis; Chapter 2 --
Natural History in Service to the Surrealist Revolution;
Plates; Chapter 3 -- Max Ernst and Freud; Chapter 4 --
Prehistory and Modern History: The Return of the First
World War; Excursus: The Earth: A Formal History of a
Theme; Chapter 5 -- Prehistory and Modern History: Europe
after the Rain, 1933; Afterword: Walter Benjamin and Max
Ernst; Notes; Index.
520 One of the most admired artists of the twentieth century,
Max Ernst was a proponent of Dada and founder of
surrealism, known for his strange, evocative paintings and
drawings. In Prehistoric Future, Ralph Ubl approaches
Ernst like no one else has, using theories of the
unconscious-surrealist automatism, Freudian psychoanalysis,
the concept of history as trauma-to examine how Ernst's
construction of collage departs from other modern artists.
Ubl shows that while Picasso, Braque, and Man Ray used
scissors and glue to create collages, Ernst employed
techniques he himself had for.
588 0 Online resource; title from PDF title page (ebrary, viewed
December 25, 2013).
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
600 10 Ernst, Max,|d1891-1976|0https://id.loc.gov/authorities/
names/n79144795|xCriticism and interpretation.|0https://
id.loc.gov/authorities/subjects/sh99005576
600 10 Ernst, Max,|d1891-1976|0https://id.loc.gov/authorities/
names/n79144795|xInfluence.|0https://id.loc.gov/
authorities/subjects/sh2002005444
600 17 Ernst, Max,|d1891-1976.|2fast|0https://id.worldcat.org/
fast/47247
648 7 20th century|2fast
648 7 1900-1999|2fast
650 0 Painting, Modern|y20th century|xHistory.|0https://
id.loc.gov/authorities/subjects/sh85096802
650 7 Criticism and interpretation.|2fast|0https://
id.worldcat.org/fast/1198648
650 7 Painting, Modern.|2fast|0https://id.worldcat.org/fast/
1050988
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
655 4 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
700 1 Tucker, Elizabeth.|0https://id.loc.gov/authorities/names/
n99260934
776 08 |iPrint version:|tPrehistoric future : Max Ernst and the
return of painting between the wars.|dPaderborn, Germany ;
Chicago, Illinois : Wilhelm Fink Verlag : University of
Chicago Press, 2004, ©2003|hviii, 260 pages|z9780226823720
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=577514|zOnline eBook. Access restricted to
current Rider University students, faculty, and staff.
856 42 |3Instructions for reading/downloading this eBook|uhttp://
guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20161103|cEBSCO|tebscoebooksacademic new|lridw
994 92|bRID
