LEADER 00000cam a2200673Ii 4500 
001    on1179002224 
003    OCoLC 
005    20211008041809.0 
006    m     o  d         
007    cr cnu---unuuu 
008    200729s2020    enk     ob    001 0 eng d 
015    GBC049966|2bnb 
016 7  019760640|2Uk 
020    9781788016384|q(electronic book) 
020    1788016386|q(electronic book) 
020    9781788019767|q(electronic book) 
020    1788019768|q(electronic book) 
020    |z9781788014694 
020    |z1788014693 
035    (OCoLC)1179002224 
037    5425:5274|bRoyal Society of Chemistry|nhttp://www.rsc.org/
       spr 
040    UKRSC|beng|erda|epn|cUKRSC|dYDX|dN$T|dEBLCP|dUKAHL|dUKMGB
       |dAFU|dOCLCQ|dOCLCO 
049    RIDW 
050  4 ND1635 
082 04 751.62|223 
090    ND1635 
245 00 Science and art :|bthe contemporary painted surface /
       |cedited by Antonio Sgamellotti, Brunetto Giovanni 
       Brunetti, Costanza Miliani. 
264  1 Cambridge :|bRoyal Society of Chemistry,|c2020. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Cover -- Science and Art: The Contemporary Painted Surface
       -- Preface -- Contents -- Chapter 1 -- Jackson Pollock's 
       Drip Paintings: Tracing the Introduction of Alkyds Through
       Non- invasive Analysis of Mid- 1940s Paintings -- 1.1 
       Introduction -- 1.2 Jackson Pollock's Search for New 
       Methods of Expression -- 1.3 The Evolution of Jackson 
       Pollock's Methods Reflected in the Works of the Peggy 
       Guggenheim Collection, Venice -- 1.4 Dripping as a 
       Revolutionary Material Choice -- 1.5 Non- invasive 
       Identification of Alkyd Resins -- 1.6 Discussion -- 1.7 
       Conclusions and Perspectives -- References 
505 8  Chapter 2 -- Piero Manzoni, Achromes: An Initial 
       Investigation into the Chemical and Technical 
       Characterization of the Artist's Materials -- 2.1 Achrome:
       What Lies Underneath -- 2.2 Achrome: White Is Not a Colour
       -- 2.3 Conclusion -- Acknowledgements -- References -- 
       Chapter 3 -- 1949-1968 Concetti spaziali by Lucio Fontana:
       A Historical- artistic and Technical Study -- 3.1 
       Introduction -- 3.2 Lucio Fontana Upon his Return From 
       Argentina at the End of the 1940s -- 3.3 The Concetto 
       Spaziale Cycle -- 3.3.1 The Buchi (Holes), Pietre (Stones),
       and Barocchi Series -- 3.3.2 The Tagli (Cuts) Series 
505 8  3.3.3 The Teatrini (Little Theatres) Series -- 3.3.4 The 
       Olii (Oils) Series -- 3.3.5 The Venezie Sub- series -- 3.4
       A Technical Study on Selected Concetti Spaziali From the 
       Olii Series -- 3.4.1 Concetto Spaziale (60 O 81) -- 3.4.2 
       The Pink Oil: Concetto Spaziale (62 O 66), Concetto 
       Spaziale (1737/92), Concetto Spaziale, La Fine di Dio (63 
       FD 14) -- 3.4.3 Concetto Spaziale, La Fine Di Dio (63 FD 
       23), Concetto Spaziale, La Fine Di Dio (64 FD 5) -- 3.5 
       Conclusion -- 3.6 Details of the Experimental Method -- 
       Acknowledgements -- References 
505 8  Chapter 4 -- Josef Albers' Use of 20th Century Pigments: A
       Non- invasive Analytical Approach -- 4.1 Introduction and 
       Aims -- 4.2 On Albers' Technique -- 4.3 The Performed 
       Analyses -- 4.4 Results -- 4.4.1 IR Imaging: Underdrawing 
       and Other Technical Aspects -- 4.4.2 Spectroscopic 
       Analyses: Pigments and Organic Compounds -- 4.4.2.1 Whites
       -- 4.4.2.2 Grays and Blacks -- 4.4.2.3 Blues and Greens --
       4.4.2.4 Violets -- 4.4.2.5 Reds, Oranges, Yellows, Pinks 
       and Browns -- 4.5 Conclusion -- Appendix: Materials and 
       Methods -- Acknowledgements -- References 
505 8  Chapter 5 -- From Identification to a New Insight of 
       Preservation Theory for Contemporary Art: Innovative 
       Approaches to Complex Care in Alina Szapocznikow Case 
       Studies -- 5.1 Introduction -- 5.2 The Specifics of Alina 
       Szapocznikow's Visual Art Legacy -- 5.3 Identification of 
       Materials/Analytical Methods -- 5.4 Alina Szapocznikow-If 
       Plastic is Fantastic! Condition Reports: Searching for 
       Ideas Before the Conservation/Restoration of Szapocznikow 
       --If Plastic is Fantastic!?; 5.5 Case Studies: Searching 
       for a Strategy for Decision- making in Preservation -- 5.6
       Innovative Conservation/Preservation Issues 
520    This book consists of a series of chapters written 
       together by scientists, art historians, conservators, 
       curators and artists, dedicated to conservation, execution
       techniques, languages and conceptual topics. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Painting|xConservation and restoration.|0https://
       id.loc.gov/authorities/subjects/sh94007858 
650  0 Art and science.|0https://id.loc.gov/authorities/subjects/
       sh85007974 
650  7 Painting|xConservation and restoration.|2fast|0https://
       id.worldcat.org/fast/1050580 
650  7 Art and science.|2fast|0https://id.worldcat.org/fast/
       815430 
655  4 Electronic books. 
700 1  Sgamellotti, Antonio,|0https://id.loc.gov/authorities/
       names/nr2004030358|eeditor. 
700 1  Brunetti, Brunetto Giovanni,|0https://id.loc.gov/
       authorities/names/nr2004030354|eeditor. 
700 1  Miliani, Costanza,|0https://id.loc.gov/authorities/names/
       no2014162312|eeditor. 
776 08 |iPrint version:|tScience and art.|dCambridge : Royal 
       Society of Chemistry, 2020|z9781788014694
       |w(OCoLC)1151998494 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2577124|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20211213|cEBSCO|tEBSCOebooksacademic NEW Oct-Nov 5018
       |lridw 
994    92|bRID