| Description |
1 online resource |
| Physical Medium |
polychrome |
| Description |
text file |
| Contents |
Front matter; Contents; List of figures; Notes on contributors; Acknowledgements; A note on sources and copyright materials; Introduction; Part I: Genealogy; Introduction to Part I; Fragments for an art history of media: electr(on)ic thinking; The technical gaze: the parallel world of photography; Post-print culture?; Part I Further reading; Part II: Debates; Introduction to Part II; The syntax of the print: in search of an aesthetic context; Sentences on printed art; The re-vision of printmaking; The shape of graphic art; The graphic unconscious or the how and why of a print triennial1 |
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Print as other: the future is queerThe what and the why of print; Part II Further reading; Part III: Keywords; Introduction to Part III; Coordinates of a history of the technical image; The status of the reproduction; Benjamin's blindspot: aura and reproduction in the post-print age; Are all multiples the same? The problematic nature of the limited edition; Printing plates and pixel matrix: the mechanisation of memory; Opening up an anachronistic point of view (1997); Untying the knot: memory and forgetting in contemporary print work; Spirit duplication; Three ways to use yellow |
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On the manual (in the manual)Animal print suicide; Part III Further reading; Part IV: The field; Introduction to Part IV; Edinburgh Printmakers and the notion of the workshop; Projects and portfolios: narrative and structure; Lasting impressions? A museum perspective on digital fine art printmaking; Print and the public sphere; The work event: art in the distributed field and systems of production; All the instruments agree; Stamping (molding) marks: the San Juan Triennial tracking the new century; Chinese printmaking in the twenty-first century: new horizons and energies |
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What is 'studio' in the post-disciplinary age?Making a place: art and a multi-modal, multi-disciplinary approach; Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir; Part IV Further reading; Index |
| Bibliography |
Includes bibliographical references (pages 330-336) and index. |
| Summary |
"This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research." -- Publisher's description. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Prints.
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Prints. |
| Genre/Form |
Electronic books.
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Electronic books.
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| Added Author |
Pelzer-Montada, Ruth.
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| Other Form: |
Print version: PELZER-MONTADA, RUTH. PERSPECTIVES ON CONTEMPORARY PRINTMAKING. [Place of publication not identified] : MANCHESTER UNIV PRESS, 2018 1526125757 (OCoLC)1014036111 |
| ISBN |
9781526125767 (electronic book) |
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1526125765 (electronic book) |
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1526125757 |
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9781526125750 |
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