Intro -- The Little Art Colony and US Modernism -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Modernism beyond the Metropolis -- Part I Carmel -- 1 Race, Place and Cultural Production in Carmel-by-the-Sea -- 2 Robinson Jeffers, the Art Worker and the 'Carmel Idea' -- Part II Provincetown -- 3 Building the Beloved Community in Provincetown -- 4 Eugene O'Neill: Superpersonalisation and Racial Spectacularism -- Part III Taos -- 5 Cultivating the Taos Mystique -- 6 'Something Stood Up in my Soul': D.H. Lawrence in Taos
Epilogue: The Afterlife of the Little Arts Colony: Institutionalising Creative Collectivities -- Notes -- Index
Summary
This book is first to historicise and theorise the significance of the early twentieth-century little art colony as a uniquely modern social formation within a global network of modernist activity and production.
Local Note
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