Skip to content
You are not logged in |Login  

LEADER 00000cam a2200853Ii 4500 
001    on1057415833 
003    OCoLC 
005    20200110051720.1 
006    m     o  d         
007    cr |n||||||||| 
008    181017t20182018nyua    ob    001 0 eng d 
019    1028229485|a1028521662|a1028543374|a1028615457|a1032505996
       |a1035511512|a1041892649|a1047815924|a1057682374
       |a1083444794|a1084534646|a1105867681|a1107703453 
020    9780231547468|q(electronic book) 
020    0231547463|q(electronic book) 
020    |z9780231187787|q(cloth) 
020    |z0231187785|q(cloth) 
035    (OCoLC)1057415833|z(OCoLC)1028229485|z(OCoLC)1028521662
       |z(OCoLC)1028543374|z(OCoLC)1028615457|z(OCoLC)1032505996
       |z(OCoLC)1035511512|z(OCoLC)1041892649|z(OCoLC)1047815924
       |z(OCoLC)1057682374|z(OCoLC)1083444794|z(OCoLC)1084534646
       |z(OCoLC)1105867681|z(OCoLC)1107703453 
037    777D722B-00B4-44F0-B973-9D6CA7A86D70|bOverDrive, Inc.
       |nhttp://www.overdrive.com 
040    YDX|beng|erda|epn|cYDX|dTEFOD|dN$T|dUBY|dHCO|dOCLCF|dDEGRU
       |dOCLCO|dEBLCP|dWAU|dIDB|dBRX|dOCLCA|dYLS|dOCLCQ|dOCLCO
       |dOCLCQ|dRECBK|dOCLCQ 
043    n-us--- 
049    RIDW 
050  4 PN1993.5.U6|bD525 2018 
072  7 PER|x009000|2bisacsh 
082 04 384/.8097309045|223 
090    PN1993.5.U6|bD525 2018 
100 1  Doherty, Thomas Patrick,|0https://id.loc.gov/authorities/
       names/n87817575|eauthor. 
245 10 Show trial :|bHollywood, HUAC, and the birth of the 
       blacklist /|cThomas Doherty. 
264  1 New York :|bColumbia University Press,|c[2018] 
264  4 |c©2018 
300    1 online resource (xiv, 406 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
490 1  Film and culture 
504    Includes bibliographical references and index. 
505 0  How the popular front became unpopular -- Hollywood's war 
       record -- The preservation of American ideals -- The magic
       of a Hollywood dateline -- Smearing Hollywood with the 
       brush of communism -- Showtime -- Lovefest -- Friendlies, 
       cooperative and uncooperative -- Hollywood's finest -- 
       Doldrums -- Crashing page 1 -- Contempt -- $64 questions 
       and no answers -- Jewish questions -- The curtain drops --
       The Waldorf and other declarations -- Blacklists and 
       casualty lists -- Not only victims. 
520    "In 1947, the Cold War came to Hollywood. Over 9 days in 
       October 1947, the House Committee on Un-American 
       Activities held a notorious round of hearings into alleged
       Communist subversion in Hollywood. The immediate blowback 
       from the October hearings was profound and long-lived. On 
       November 25, 1947, the major Hollywood studios pledged 
       never again to employ a known Communist. The declaration 
       marked the formal onset of the blacklist era, a two-decade
       -long purgatory during which political allegiances, real 
       or suspected, determined employment opportunities in the 
       entertainment industry. At the studios and the networks, 
       hundreds of artists were shown the door or had it shut in 
       their faces. Doherty tells the story of the first media-
       political spectacle of the postwar era, a courtroom drama 
       starring actors, moguls, congressmen, lawyers, 
       investigators, and screenwriters, all recorded under the 
       lights of the newsreel cameras and broadcast over radio. 
       After assuming increased cultural prominence during World 
       War II, Doherty explains, 'the screen had become, in its 
       maturity, integrated with the whole fabric of the national,
       and international affairs, with social, political and 
       economic involvements, ' leading to the centrality of 
       Hollywood in Washington politics in the postwar era. 
       Depicting this shift through testimonies and detailed 
       public records, he provides a rich, character-driven 
       cultural history that focuses on how and why the HUAC 
       trial unfolded and ignited the anti-Communist strain in 
       Cold War culture, serving as one of the most influential 
       events of the postwar era"--|cProvided by publisher. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
610 10 United States.|bCongress.|bHouse.|bCommittee on Un-
       American Activities.|0https://id.loc.gov/authorities/names
       /n80061062 
610 17 United States.|bCongress.|bHouse.|bCommittee on Un-
       American Activities.|2fast|0https://id.worldcat.org/fast/
       544557 
610 17 USA|bCommittee on Un-American Activities.|2gnd 
610 27 Metro-Goldwyn-Mayer.|2fast|0https://id.worldcat.org/fast/
       541207 
610 27 Warner Bros. Pictures (1923-1967)|2fast|0https://
       id.worldcat.org/fast/511641 
648  7 20th century|2fast 
650  0 Motion picture industry|0https://id.loc.gov/authorities/
       subjects/sh85088047|xPolitical aspects|0https://id.loc.gov
       /authorities/subjects/sh00005651|zUnited States|0https://
       id.loc.gov/authorities/names/n78095330-781|xHistory|y20th 
       century.|0https://id.loc.gov/authorities/subjects/
       sh2002006165 
650  0 Communism and motion pictures|0https://id.loc.gov/
       authorities/subjects/sh85029155|zUnited States.|0https://
       id.loc.gov/authorities/names/n78095330-781 
650  0 Blacklisting of entertainers|zUnited States|0https://
       id.loc.gov/authorities/subjects/sh2009117239|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh99005024 
650  0 Blacklisting of authors|zUnited States|0https://id.loc.gov
       /authorities/subjects/sh2009117238|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh99005024 
650  0 Screenwriters|0https://id.loc.gov/authorities/subjects/
       sh85118942|xPolitical activity|0https://id.loc.gov/
       authorities/subjects/sh2002011434|zUnited States.|0https:/
       /id.loc.gov/authorities/names/n78095330-781 
650  0 Motion picture producers and directors|0https://id.loc.gov
       /authorities/subjects/sh85088067|xPolitical activity
       |0https://id.loc.gov/authorities/subjects/sh2002011434
       |zUnited States.|0https://id.loc.gov/authorities/names/
       n78095330-781 
650  7 Motion picture industry|xPolitical aspects.|2fast|0https:/
       /id.worldcat.org/fast/1027181 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Motion picture industry.|2fast|0https://id.worldcat.org/
       fast/1027150 
650  7 Communism and motion pictures.|2fast|0https://
       id.worldcat.org/fast/870516 
650  7 Blacklisting of entertainers.|2fast|0https://
       id.worldcat.org/fast/833874 
650  7 Blacklisting of authors.|2fast|0https://id.worldcat.org/
       fast/833873 
650  7 Screenwriters.|2fast|0https://id.worldcat.org/fast/1109351
650  7 Political participation.|2fast|0https://id.worldcat.org/
       fast/1069386 
650  7 Motion picture producers and directors|xPolitical 
       activity.|2fast|0https://id.worldcat.org/fast/1982487 
650  7 Motion picture producers and directors.|2fast|0https://
       id.worldcat.org/fast/1027225 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aDoherty, Thomas Patrick.|tShow trial.
       |dNew York : Columbia University Press, [2018]
       |z9780231187787|w(DLC)  2017046963|w(OCoLC)1013737468 
830  0 Film and culture.|0https://id.loc.gov/authorities/names/
       n92059833 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1725259|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20200122|cEBSCO|tEBSCOebooksacademic NEW 12-21,1-17 
       11948|lridw 
994    92|bRID