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003    OCoLC 
005    20160527041005.9 
006    m     o  d         
007    cr cnu|||unuuu 
008    040817s2002    enka    obq   001 0 eng d 
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020    9780511036286|q(electronic book ;|qAdobe Reader) 
020    0511148534 
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020    |z0521641063 
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020    |z9780521641067 
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035    (OCoLC)56211452|z(OCoLC)55638450|z(OCoLC)63516411
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037    |bOverDrive, Inc.|nhttp://www.overdrive.com 
037    5E749162-A6AE-43B4-905B-69F7E55E645C|bOverDrive, Inc.
       |nhttp://www.overdrive.com 
040    N$T|beng|epn|cN$T|dOCLCQ|dTUU|dOCLCQ|dOCLCO|dOCLCQ|dCSL
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043    n-us--- 
049    RIDW 
050  4 PN1995.9.D4|bL45 2002eb 
072  7 PER|x004040|2bisacsh 
082 04 791.43/6556|222 
084    24.34|2bcl 
084    AP 53600|2rvk 
090    PN1995.9.D4|bL45 2002eb 
100 1  Leitch, Thomas M.|0https://id.loc.gov/authorities/names/
       n85374545 
245 10 Crime films /|cThomas Leitch. 
264  1 Cambridge ;|aNew York :|bCambridge University Press,
       |c2002. 
300    1 online resource (xv, 383 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Genres in American cinema 
504    Filmography: pages 341-357. 
504    Includes bibliographical references (pages 331-339) and 
       index. 
505 00 |tProblem of the crime film --|tHistorical and cultural 
       overview --|tCritical overview --|tFury and the victim 
       film --|tGodfather and the gangster film --|tDouble 
       Indemnity and the film noir --|tBasic Instinct and the 
       erotic thriller --|tMurder on the Orient Express, Blue 
       Velvet, and the unofficial detective film --|tChinatown 
       and the hardboiled detective film --|tBullitt and the 
       police film --|tReversal of Fortune and the lawyer film --
       |tFargo and the crime comedy --|tWhat good are crime 
       films? 
520    This book surveys the entire range of crime films, 
       including important subgenres such as the gangster film, 
       the private eye film, film noir, as well as the victim 
       film, the erotic thriller, and the crime comedy. Focusing 
       on ten films that span the range of the twentieth century,
       Thomas Leitch traces the transformation of the three 
       leading figures that are common to all crime films: the 
       criminal, the victim and the avenger. Analyzing how each 
       of the subgenres establishes oppositions among its ritual 
       antagonists, he shows how the distinctions among them 
       become blurred throughout the course of the century. This 
       blurring, Leitch maintains, reflects and fosters a deep 
       social ambivalence towards crime and criminals, while the 
       criminal, victim and avenger characters effectively map 
       the shifting relations between subgenres, such as the 
       erotic thriller and the police film, within the larger 
       genre of crime film that informs them all. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Detective and mystery films|zUnited States|xHistory and 
       criticism.|0https://id.loc.gov/authorities/subjects/
       sh2009123246 
650  0 Gangster films|0https://id.loc.gov/authorities/subjects/
       sh85053027|zUnited States|0https://id.loc.gov/authorities/
       names/n78095330-781|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh99001187 
650  0 Police films|0https://id.loc.gov/authorities/subjects/
       sh90002559|zUnited States|0https://id.loc.gov/authorities/
       names/n78095330-781|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh99001187 
650 04 Misdaadfilms. 
650  7 Detective and mystery films.|2fast|0https://
       id.worldcat.org/fast/891450 
650  7 Gangster films.|2fast|0https://id.worldcat.org/fast/937711
650  7 Police films.|2fast|0https://id.worldcat.org/fast/1068601 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
776 08 |iPrint version:|aLeitch, Thomas M.|tCrime films.
       |dCambridge ; New York : Cambridge University Press, 2002
       |z0521641063|z0521646715|w(DLC)  2001052965
       |w(OCoLC)48871770 
830  0 Genres in American cinema.|0https://id.loc.gov/authorities
       /names/n98069885 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=112447|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160615|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID