Includes bibliographical references, filmography and index.
Contents
Introduction -- Measuring engaging dialogue -- Verbal-visual style and words visualised -- The integrated soundtrack and lyrical speech -- Dialogue and character construction -- Embodying dialogue : rich voices, expressive mouths and gesticulation -- Gendered verbal dynamics : sensitive men and explicit women -- Adapting dialogue and authorial double-voicing -- Conclusion : verbal extremes and excess.
Summary
O'Meara highlights how speech can be central to cinema without overshadowing its medium-specific components, and demonstrates how indie dialogue can instead hinge on an idea of cinematic verbalism.
Local Note
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America