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005    20110714065931.0 
008    040106t20042004caua     b   s001 0 eng   
010      2004000202 
020    0520238915|qpaperback|qalkaline paper 
020    0520238621|qcloth|qalkaline paper 
035    (OCoLC)ocm54001363 
035    418903 
040    DLC|beng|cDLC|dC#P|dDAY|dCUY|dBAKER|dNLGGC 
049    RIDM 
050 00 PN1995.9.E9|bF17 2004 
082 00 791.43/015|222 
084    24.31|2bcl 
090    PN1995.9.E9 F17 2004 
100 1  Fabe, Marilyn.|0https://id.loc.gov/authorities/names/
       n78084757 
245 10 Closely watched films :|ban introduction to the art of 
       narrative film technique /|cMarilyn Fabe. 
264  1 Berkeley :|bUniversity of California Press,|c[2004] 
264  4 |c©2004 
300    xviii, 279 pages :|billustrations ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 267-272) and 
       index. 
505 0  The beginnings of film narrative: D.W. Griffith's The 
       birth of a nation -- The art of montage: Sergei 
       Eisenstein's The battleship Potemkin -- Expressionism and 
       realism in film form: F.W. Murnau's The last laugh and 
       Charles Chaplin's The adventurer -- The conversion to 
       sound and the classical Hollywood film: Howard Hawks's His
       girl Friday -- Expressive realism: Orson Welles's Citizen 
       Kane -- Italian neorealism: Vittorio de Sica's The bicycle
       thief -- Auteur theory and the French new wave: François 
       Truffaut's The 400 blows -- Hollywood auteur: Alfred 
       Hitchcock's Notorious -- The European art film: Federico 
       Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's 
       Annie Hall -- Political cinema: Spike Lee's Do the right 
       thing -- Feminism and film form: Patricia Rozema's I've 
       heard the mermaids singing -- Epilogue: digital video and 
       new forms of narrative in Mike Figgis's Timecode. 
650  0 Motion pictures|xEvaluation.|0https://id.loc.gov/
       authorities/subjects/sh85088099 
650  0 Motion pictures|xAesthetics.|0https://id.loc.gov/
       authorities/subjects/sh85088085 
650  7 Motion pictures|xEvaluation.|2fast|0https://
       id.worldcat.org/fast/1027324 
650  7 Motion pictures|xAesthetics.|2fast|0https://
       id.worldcat.org/fast/1027288 
650 17 Filmkunst.|2gtt 
650 17 Films.|2gtt 
650 17 Filmtheorie.|2gtt 
650 17 Verteltheorie.|2gtt 
655  7 Motion pictures.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2011026406 
655  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1726252 
856 41 |3Table of contents|uhttp://www.loc.gov/catdir/toc/
       ecip0413/2004000202.html 
856 42 |3Contributor biographical information|uhttp://www.loc.gov
       /catdir/bios/ucal052/2004000202.html 
856 42 |3Publisher description|uhttp://www.loc.gov/catdir/
       description/ucal051/2004000202.html 
901    MARCIVE 20231220 
935    418903 
994    C0|bRID