Skip to content
You are not logged in |Login  

LEADER 00000cam a2200589 a 4500 
001    ocm09393309 
001    ocm09393309|z(ocolc)9406151 
005    20100608152943.0 
008    830310t19831983kyua     b   s000 0 eng   
010       82049118 
019    9406151 
020    0813114861 :|c$26.00 
020    9780813114866 
020    0813101549|qpaperback 
020    9780813101545|qpaperback 
035    (OCoLC)ocm09393309 
035    (OCoLC)9393309|z(OCoLC)9406151 
040    DLC|beng|cDLC|dMUQ|dNLGGC|dBAKER|dBTCTA|dYDXCP 
043    n-us--- 
049    RIDM 
050 00 PN1995.9.H5|bH64 1983 
082 00 791.43/09/09358|219 
084    24.32|2bcl 
090    PN1995.9.H5 H64 1983 
245 00 Hollywood as historian :|bAmerican film in a cultural 
       context /|cedited by Peter C. Rollins. 
264  1 Lexington, Ky. :|bUniversity Press of Kentucky,|c[1983] 
264  4 |c©1983 
300    x, 276 pages :|billustrations ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references. 
505 0  Cultural History Written with Lightning: The Significance 
       of The Birth of a Nation (1915) / Everett Carter -- 
       Problems in Film History: How Fox Innovated Sound / 
       Douglas Gomery -- Ideology and Film Rhetoric: Three 
       Documentaries of the New Deal Era (1936-1941) / Peter C. 
       Rollins -- Fighting Words: City Lights (1931), Modern 
       Times (1936), and The Great Dictator (1940) Ira S. Jaffe -
       - The Grapes of Wrath (1940): Thematic Emphasis through 
       Visual Style / Vivian C. Sobchack -- History with 
       Lightning: The Forgotten Film Wilson (1944) / Thomas J. 
       Knock -- The Negro Soldier (1944): Film Propaganda in 
       Black and White / Thomas Cripps and David Culbert -- The 
       Snake Pit (1984): The Sexist Nature of Sanity / Leslie 
       Fishbein -- Ambivalence as a Theme in On the Waterfront 
       (1954): An Interdisciplinary Approach to Film Study / 
       Kenneth R. Hey -- Dr. Strangelove (1964): Nightmare Comedy
       and the Ideology of Liberal Consensus / Charles Maland -- 
       A Test of American Film Censorship: Who's Afraid of 
       Virginia Woolf? (1966) / Leonard J. Leff -- Apocalypse Now
       (1979): Joseph Conrad and the Television War / William M. 
       Hagen -- Film, Television, and American Studies / Peter C.
       Rollins 
650  0 Historical films|zUnited States|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2009126416 
650  0 Motion pictures and history.|0https://id.loc.gov/
       authorities/subjects/sh85088131 
650  0 Motion picture plays, American|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2008108008 
650  7 Historical films.|2fast|0https://id.worldcat.org/fast/
       958120 
650  7 Motion pictures and history.|2fast|0https://
       id.worldcat.org/fast/1027408 
650  7 Motion picture plays, American.|2fast|0https://
       id.worldcat.org/fast/1740826 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
700 1  Rollins, Peter C.|0https://id.loc.gov/authorities/names/
       n80031810 
776 08 |iOnline version:|tHollywood as historian.|dLexington, Ky.
       : University Press of Kentucky, c1983|w(OCoLC)558240218 
901    MARCIVE 20231220 
935    229664 
994    C0|bRID 
Location Call No. Status OPAC Message Public Note Gift Note
 Moore Stacks  PN1995.9.H5 H64 1983    Available  ---