LEADER 00000cam a2200721Li 4500 
001    ocn903975087 
003    OCoLC 
005    20160527041201.2 
006    m     o  d         
007    cr cn||||||||| 
008    150205t19831983kyuao   o     001 0 eng d 
019    900344387 
020    9780813148649|q(e-book) 
020    0813148642|q(e-book) 
020    |z9780813101545 
020    |z9780813109510 
035    (OCoLC)903975087|z(OCoLC)900344387 
037    22573/ctt12998p0|bJSTOR 
040    E7B|beng|erda|epn|cE7B|dOCLCQ|dOCLCF|dEBLCP|dN$T|dJSTOR
       |dKUK|dOCLCO|dYDXCP 
043    n-us--- 
049    RIDW 
050  4 PN1995.9.H5|b.H64 1983eb 
072  7 PER|x009000|2bisacsh 
072  7 PER004000|2bisacsh 
072  7 SOC022000|2bisacsh 
082 04 791.43/09/09358|219 
090    PN1995.9.H5|b.H64 1983eb 
245 00 Hollywood as historian :|bAmerican film in a cultural 
       context /|cedited by Peter C. Rollins ; contributors, Ray 
       B. Browne [and thirteen others]. 
250    Revised edition. 
264  1 Lexington, Kentucky :|bThe University Press of Kentucky,
       |c1983. 
264  4 |c©1983 
300    1 online resource (299 pages) :|billustrations, 
       photographs 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
500    Includes index. 
504    Includes bibliographical references and index. 
505 0  Cover; Title; Copyright; Contents; Acknowledgments; 
       Foreword; Introduction; 1. Cultural History Written with 
       Lightning: The Significance of The Birth of A Nation 
       (1915); 2. Problems in Film History: How Fox Innovated 
       Sound; 3. Ideology and Film Rhetoric: Three Documentaries 
       of the New Deal Era (1936-1941); 4. Fighting Words: City 
       Lights (1931), Modern Times (1936), and The Great Dictator
       (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis 
       through Visual Style; 6. History with Lightning: The 
       Forgotten Film Wilson (1944); 7. The Negro Soldier (1944):
       Film Propaganda in Black and White. 
505 8  8. The Snake Pit (1948): The Sexist Nature of Sanity9. 
       Ambivalence as a Theme in On the Waterfront (1954): An 
       Interdisciplinary Approach to Film Study; 10. Dr. 
       Strangelove (1964): Nightmare Comedy and the Ideology of 
       Liberal Consensus; 11. A Test of American Film Censorship:
       Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now
       (1979): Joseph Conrad and the Television War; 13. Film, 
       Television, and American Studies: A 1998 Update; Film Data
       and Purchase Sources ; Contributors ; Index; A; B; C; D; 
       E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; 
       Y; Z. 
520    Motion picture images have influenced the American mind 
       since the earliest days of film, and many thoughtful 
       people are becoming ever more concerned about that 
       influence, as about the pervasive influence of television.
       In eras of economic instability and international conflict,
       the film industry has not hesitated to use motion pictures
       for definite propaganda purposes. During less troubled 
       times, the American citizen's ability to deal with 
       political and social issues has been enhanced or thwarted 
       by images absorbed in the nation's theatres. Hollywood As 
       Historian tracks the interaction of Ame. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Historical films|zUnited States|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2009126416 
650  0 Motion pictures and history.|0https://id.loc.gov/
       authorities/subjects/sh85088131 
650  0 Motion picture plays, American|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2008108008 
650  7 Historical films.|2fast|0https://id.worldcat.org/fast/
       958120 
650  7 Motion pictures and history.|2fast|0https://
       id.worldcat.org/fast/1027408 
650  7 Motion picture plays, American.|2fast|0https://
       id.worldcat.org/fast/1740826 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
700 1  Rollins, Peter C.,|0https://id.loc.gov/authorities/names/
       n80031810|eeditor. 
700 1  Browne, Ray B.,|econtributor. 
776 08 |iPrint version:|tHollywood as historian : American film 
       in a cultural context.|bRevised edition.|dLexington, 
       Kentucky : The University Press of Kentucky, ©1983|hx, 288
       pages|z9780813101545 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=938051|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID