| Description |
xviii, 324 pages : illustrations ; 24 cm. |
| Series |
Cambridge studies in opera
|
|
Cambridge studies in opera.
|
| Bibliography |
Includes bibliographical references (pages 296-311), filmography, and index. |
| Contents |
Pt. I. Style. Operatic style in Coppola's Godfather trilogy ; Opera as fragment : Liebestod and Nessun dorma in Aria -- Pt. II. Subjectivity. Subjectivity in the opera-films of Jean-Pierre Ponelle ; Don Giovanni and subjectivity in Claude Chabrol's La cérémonie -- Pt. III. Desire. 'An honest contrivance' : opera and desire in Moonstruck ; The sound of desire : Così's Soave sia il vento in Sunday, bloody Sunday and Closer. |
| Subject |
Motion pictures and opera.
|
|
Motion pictures and opera. |
|
Opera in motion pictures.
|
|
Opera in motion pictures. |
|
Musical films -- History and criticism.
|
|
Musical films. |
| ISBN |
9780521895750 |
|
0521895758 |
|
