LEADER 00000cam a2200733Ki 4500
001 on1089728967
003 OCoLC
005 20190405014125.7
006 m o d
007 cr cnu---unuuu
008 190312s2016 enka ob 001 0 eng d
020 9780857729910|q(electronic book)
020 0857729918|q(electronic book)
020 |z9781780766324
020 |z1780766327
035 (OCoLC)1089728967
040 N$T|beng|erda|epn|cN$T|dYDX
043 n-us---
049 RIDW
050 4 PN1995.9.P6|bD52 2016eb
072 7 PER|x009000|2bisacsh
082 04 791.43/6581|223
090 PN1995.9.P6|bD52 2016eb
100 1 Dibbern, Doug,|0https://id.loc.gov/authorities/names/
no2016054463|eauthor.
245 10 Hollywood riots :|bviolent crowds and progressive politics
in American film /|cDoug Dibbern.
264 1 London ;|aNew York :|bI.B. Tauris,|c2016.
264 4 |c©2016
300 1 online resource (xiv, 205 pages) :|billustrations.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Cinema and society series
490 1 International library of the moving image ;|v20
504 Includes bibliographical references (pages 189-196) and
index.
505 0 Violent crowds on American screens: reporters, racism, and
riots -- Independent filmmaking and the disintigration of
the popular front -- The politics of the news -- Mob
violence in Los Angeles and the United States -- Nostalgia
for the Popular Front in The lawless -- Cy Endfield's
radical despair: The underworld story and The sound of
fury -- Racial harmony and The well -- Conclusion:
cyclical decay: shifting independence and the decline of
progressive filmmaking in the 1950s.
520 The large literature about the politics of Hollywood in
the period of McCarthy and the blacklist has largely
overlooked political filmmaking during those agitated
years. "Hollywood Riots" examines the most vibrant cycle
of independently produced political films made while House
Committee on Un-American Activities was investigating
communists in the film industry. In doing so, it shifts
the focus from the politics of Washington to the politics
of Los Angeles and from the films of the Hollywood Ten to
the more politically complex films of the progressive
community at large. Dibbern shows how the movies produced
by progressives at the end of the 1950s, including "The
Lawless", "The Sound of Fury", "The Underworld", were the
logical cinematic parallel to their political and
journalistic advocacy fighting the conservative
newspapers. In these films they were recasting political
events from California's recent past as politically-
engaged narratives that were inflected with their own
fears of persecution. "Hollywood Riots" re-views the work
of notable directors like Joseph Losey and Cy Endfield, as
well as introducing unheralded political screenwriters and
directors such as Daniel Mainwaring, Jo Pagano, and Leo C.
Popkin.--Publisher website.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
648 7 20th century|2fast
650 0 Motion pictures|xPolitical aspects|zUnited States|0https:/
/id.loc.gov/authorities/subjects/sh2008108037|xHistory
|y20th century.|0https://id.loc.gov/authorities/subjects/
sh2002006165
650 0 Motion pictures|xSocial aspects|zUnited States|0https://
id.loc.gov/authorities/subjects/sh2008108003|xHistory
|y20th century.|0https://id.loc.gov/authorities/subjects/
sh2002006165
650 0 Socialism and motion pictures|0https://id.loc.gov/
authorities/subjects/sh87004258|zUnited States.|0https://
id.loc.gov/authorities/names/n78095330-781
650 0 Politics in motion pictures.|0https://id.loc.gov/
authorities/subjects/sh85104474
650 7 Motion pictures|xPolitical aspects.|2fast|0https://
id.worldcat.org/fast/1027353
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
650 7 Motion pictures|xSocial aspects.|2fast|0https://
id.worldcat.org/fast/1027384
650 7 Socialism and motion pictures.|2fast|0https://
id.worldcat.org/fast/1123691
650 7 Politics in motion pictures.|2fast|0https://
id.worldcat.org/fast/1896085
651 7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655 4 Electronic books.
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
655 7 History.|2lcgft
776 08 |iPrint version:|aDibbern, Doug.|tHollywood riots.|dLondon
; New York : I.B. Tauris, 2016|z9781780766324|w(DLC)
2017392073|w(OCoLC)933263914
830 0 Cinema and society.|0https://id.loc.gov/authorities/names/
n83702361
830 0 International library of the moving image ;|0https://
id.loc.gov/authorities/names/no2012142204|v20.
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=2046036|zOnline eBook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this eBook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20190507|cEBSCO|tEBSCOebooksacademic NEW 4-5-19 7552
|lridw
994 92|bRID
