Description |
1 online resource (viii, 166 pages) |
Physical Medium |
polychrome |
Description |
text file |
Bibliography |
Includes bibliographical references (pages 153-163) and index. |
Contents |
Introduction: The age of the $equel: beyond the profit principle -- Before and after the blockbuster: a brief history of the film sequel -- Screaming, slashing, sequelling: what the sequel did to the horror movie -- "It's all up to you!": sequelisation and user-generated content -- Adventures in Indiewood: sequels in the independent film marketplace -- Signifying Hollywood: sequels in the global economy -- Sequelisation and secondary memory: Steven Spielberg's Artificial intelligence: A.I. (2001). |
Summary |
Drawing upon a wide range of filmic examples from early cinema to the 21st century, this book reveals the increasing popularity of, and experimentation with, film sequels as a central dynamic of Hollywood cinema, and aims to account for some of the major critical contexts within which sequelisation operates by exploring sequel production beyond box office figures. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Film sequels.
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Film sequels. |
Genre/Form |
Electronic books.
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Other Form: |
Print version: Jess-Cooke, Carolyn, 1978- Film sequels. Edinburgh : Edinburgh University Press, ©2009 9780748626038 0748626034 (OCoLC)286519386 |
ISBN |
9780748631339 (electronic book) |
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074863133X (electronic book) |
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9780748626038 (print) |
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0748626034 (print) |
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1282058959 |
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9781282058958 |
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