| Description |
1 online resource (166 pages) : illustrations |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
|
Includes filmography. |
| Contents |
Introduction -- Toward the intertextual dialogism approach -- Toward post-celluloid adaptation -- From the prediction of crime to the prevision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report -- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love -- Bullet-time, blood spraying time, and the adaptation of the graphic novel -- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing -- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation -- Conclusion. |
| Summary |
The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives an d c haracters along with other forms of convergence such as the Internet. While 'New Media' is a broa d c oncept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a th. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Film adaptations -- History and criticism.
|
|
Film adaptations. |
| Genre/Form |
Electronic books.
|
|
Criticism, interpretation, etc.
|
| Other Form: |
Print version: Constandinides, Costas. From film adaptation to post-celluloid adaptation. New York : Continuum, 2010 9781441103802 (DLC) 2010006797 (OCoLC)535494818 |
| ISBN |
9781441188243 (electronic book) |
|
144118824X (electronic book) |
|
9781441103802 |
|
1441103805 |
|
