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001    muse87208 
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005    20210915045945.0 
006    m     o  d         
007    cr||||||||nn|n 
008    200729r20202016mdu     o      00 0 eng d 
020    9780998531809 
040    MdBmJHUP|beng|cMdBmJHUP 
049    RIDW 
050  4 PN1998.3.L346|bE743 2017 
090    PN1998.3.L346|bE743 2017 
100 1  Lafia, Marc,|d1955-|0https://id.loc.gov/authorities/names/
       no2012101808|eauthor. 
245 10 Everyday Cinema: The Films of Marc Lafia /|c[Marc Lafia]. 
264  1 Baltimore, Maryland :|bProject Muse,|c2020. 
264  3 Baltimore, Md. :|bProject MUSE, |c2020. 
264  4 |c©2020 
300    1 online resource (289 pages) :|billustrations (some 
       color) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
500    Includes index. 
500    Issued as part of book collections on Project MUSE. 
505 0  Films. Exploding Oedipus -- Confessions of an image -- 
       Permutations -- Talk show -- Harry, Zelda and Antoinette -
       - Love and art -- My double my self -- Paradise -- 
       Revolution of everyday life -- Hi, how are you guest 10497
       -- Twenty-seven -- Interviews. Jisu Song (TriBeCa Film 
       Institute) -- Peter Duhon (Anthology Film Archives) -- 
       Kevin Farrington (Mubi) -- Daniel Coffeen (The Aesthetes) 
       -- Lior Rosenfeld (191). 
506 0  Open Access|fUnrestricted online access|2star 
520    Everyday Cinema presents the films (eight features and 
       numerous shorts, computational, and installation films) of
       Marc Lafia. In his many films (including Exploding 
       Oedipus; Love and Art; Confessions of an Image; Revolution
       of Everyday Life; Paradise; Hi, How Are You Guest 10497; 
       and 27) Lafia probes what it is to construct an image, to 
       forge systems of representation, to see and represent 
       ourselves. His work has been defined as a cinema of 
       emergence, a cinema of the event, in which the very act of
       ubiquitous recording creates something new.Everyday Cinema
       is comprised of two parts, the first an in-depth look at 
       his films and installations, project by project, providing
       background on how they came about, Lafia's process and 
       ideas. The second part features selected interviews and 
       over two hundred film stills wherein Lafia puts forward a 
       new sense of the possibility of the cinema. As we all 
       relentlessly record ourselves and are recorded, we become 
       part of the cinematic fabric of life, part of a spectacle 
       of which we are both constituent and constitutive. This is
       what Lafia sets out to capture and examine.With a Preface 
       by Daniel Coffeen. 
588    Description based on print version record. 
590    Project Muse|bProject Muse Open Access 
600 11 Lafia, Marc,|d1955-|xCriticism and interpretation. 
655  0 Electronic books. 
655  7 Electronic books. .|2local 
700 1  Coffeen, Daniel,|0https://id.loc.gov/authorities/names/
       no2016147927|ewriter of foreword. 
710 2  Project Muse,|0https://id.loc.gov/authorities/names/
       n96089174|edistributor. 
776 18 |iPrint version:|z9780998531809 
830  0 Book collections on Project MUSE. 
856 40 |zOnline eBook. Open Access via Project Muse. |uhttps://
       muse.jhu.edu/book/76523/ 
901    MARCIVE 20231220 
948    |d20211214|cProjectMuse|tProjectMuseOpenAccess