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010 2019467794
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020 |z9781909254756
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041 1 eng|hfre
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050 00 PN441
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082 04 801.95|223
090 PN441|b.G694 2014eb
100 1 Goyet, Florence,|0https://id.loc.gov/authorities/names/
nr94014616|eauthor.
245 14 The Classic Short Story, 1870-1925 :|bTheory of a Genre /
|cFlorence Goyet.
264 1 Cambridge, UK :|bOpen Book Publishers,|c2014.
300 1 online resource (210 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|2rdaft
504 Includes bibliographical references (197-206) and index.
505 00 |tIntroduction -|gPart I.|tStructure --|tParoxystic
characterisation -|tAntithetic structure --|tEnding with a
twist --|tTools of brevity --|tConclusion to Part I --
|gPart II.|tMedia --|tExoticism in the classic short story
--|tShort stories and the travelogue --|gPart III.|tReader,
character and author --|tA foreign world --|tDialogue and
character discreditation --|tNarrator, the reflector and
the reader --|tDistance and emotion --|tConclusion to Part
III : Are Dostoevsky's short stories polyphonic? --
|tEpilogue : Beyond the classic short story.
505 0 Table of Contents -- Acknowledgements -- Introduction --
PART I: STRUCTURE -- 1. Paroxystic Characterisation --
Extremes in the fantastic short story -- 2. Antithetic
Structure -- Secondary tensions -- Editing antithetic
tension: Maupassant and James -- 3. Ending with a Twist --
The “twist-in-the-tail� and antithetic tension -- The
“Twist-in-the-tail� and retroreading -- “Open�
texts and tension -- 4. The Tools of Brevity --
Preconstructed material -- Character types -- Recurring
characters and empty characters -- Tight focus
505 8 Permanence of types5. Conclusion to Part I -- Hypotyposis
and schematisation -- Short stories, sensational news
items and serials -- The short story: privileged object of
narratology -- PART II: MEDIA -- 6. Exoticism in the
Classic Short Story -- The role of the press -- Exotic
subjects -- The constraints of the newspapers --
Exceptions to the rule -- 7. Short Stories and the
Travelogue -- Praise of nature, criticism of culture --
From vision to judgement: guidelines for description --
PART III: READER, CHARACTER AND AUTHOR -- 8. A Foreign
World
505 8 An explicit distanceThe use of types: subversion or
immersion? -- “Deceptive representations� of reality
-- The great man -- “We are simply the case�: James
and abstract entities -- Reading at face value: the double
distance -- 9. Dialogue and Character Discreditation --
Direct and indirect speech: Verga�s novel versus short
stories -- Dialect and distancing -- Foreign terms -- 10.
The Narrator, the Reflector and the Reader -- Unreliable
narrators and reflectors -- Reliable narrators and
reflectors -- 11. Distance and Emotion
505 8 The short story with a dilemmaReaders� emotional
response to the classic short story -- 12. Conclusion to
Part III: Are Dostoevsky�s Short Stories Polyphonic? --
Epilogue: Beyond the Classic Short Story -- Lengthy
stories: the long Yvette after the brief Yveline --
Fantastic tales: the deconstruction of the self -- Authors
at a crossroads -- Bibliography -- Index -- read --
Naturalism -- Parox -- Verga -- James1 -- Chek -- fan2 --
Mau -- Stev -- ohen -- Verg1 -- Tieck -- Akutagawa1 --
James2 -- Akutagawa2 -- Chek1 -- Mau1 -- James
505 8 James3end -- Chek2 -- Mau2 -- retro -- Chek3 -- fan3 --
Mau3 -- read1 -- precon -- read2 -- type -- type1 -- read3
-- Chek5 -- prov -- Mau4 -- cyc -- emo -- James5 -- James4
-- type2 -- Mau5 -- James6 -- hyp -- fait -- novel -- news
-- Mau6 -- news1 -- Gil -- Fanful -- Ver2 -- Ver3 -- Chek6
-- sat -- int -- read4 -- Joyce -- Prou -- Mau7 -- read5 -
- News2
506 Open access resource providing free access.
520 "The ability to construct a nuanced narrative or complex
character in the constrained form of the short story has
sometimes been seen as the ultimate test of an author's
creativity. Yet during the time when the short story was
at its most popular--the late nineteenth and early
twentieth centuries--even the greatest writers followed
strict generic conventions that were far from subtle. This
expanded and updated translation of Florence Goyet's
influential La Nouvelle, 1870-1925: Description d'un genre
à son apogée (Paris, 1993) is the only study to focus
exclusively on this classic period across different
continents. Ranging through French, English, Italian,
Russian and Japanese writing--particularly the stories of
Guy de Maupassant, Henry James, Giovanni Verga, Anton
Chekhov and Akutagawa Ryunosuke--Goyet shows that these
authors were able to create brilliant and successful short
stories using the very simple 'tools of brevity' of that
period. In this challenging and far-reaching study, Goyet
looks at classic short stories in the context in which
they were read at the time: cheap newspapers and higher-
end periodicals. She demonstrates that, despite the
apparent intention of these stories to question bourgeois
ideals, they mostly affirmed the prejudices of their
readers. In doing so, her book forces us to re-think our
preconceptions about this 'forgotten' genre."--Publisher's
website.
540 This work is licensed under a Creative Commons Attribution
4.0 International license (CC BY 4.0). For more detailed
information consult the publisher's website.
546 Translated from the French.
588 Viewed on 2020-04-03.
590 JSTOR|bBooks at JSTOR Open Access
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Literature|xHistory and criticism|xTheory, etc.|0https://
id.loc.gov/authorities/subjects/sh85077521
650 0 Literature|xPhilosophy.|0https://id.loc.gov/authorities/
subjects/sh85077524
650 0 Literary form|0https://id.loc.gov/authorities/subjects/
sh85077490|xHistory.|0https://id.loc.gov/authorities/
subjects/sh99005024
650 7 Literature.|2fast|0https://id.worldcat.org/fast/999953
650 7 Literature|xPhilosophy.|2fast|0https://id.worldcat.org/
fast/1000005
650 7 Literary form.|2fast|0https://id.worldcat.org/fast/999924
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
655 0 Electronic books.
655 4 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
776 08 |z9781909254763 (hbk)
776 08 |z9781909254756 (pbk)
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt5vjtqn|zOnline
ebook. Open Access via JSTOR.
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=861435|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
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