Description |
viii, 569 pages |
Bibliography |
"Bibliographical note": pages 555-557. |
Contents |
Psychology: Fielding, Eliot -- Psychology: Meredith -- Psychology: Proust -- Philosophy: Hugo -- Philosophy: Wells -- Hors-d' Euvres: Barres, France -- Hors-d' Euvres: Cabell -- Philosophy: Dostoevski -- Philosophy: Zola, Mann -- Toward the well made novel -- Dramatic present -- Dramatic present: Dostoevski -- Dramatic present: Thackeray, Tolstoy -- Subjective drama: James -- Point of view: James -- Point of view: James and others -- Point of view: James, Stendhal -- Variations: Bennett -- Variations: Galsworthy -- Variations: Sigrid Undset -- The Unities -- Point of view: Hergersheimer -- The well made novel: Sedgwick, Wharton -- Critique of the well made novel -- The realists reaction: Dreiser -- The modernists -- Impressionism: Conrad -- Impressionism: Lawrence -- Imagism: Dorothy Richardson -- Post-Impresionism: Joyce -- The breadthwise cutting -- Discontinuity: Dos Passos -- Logic and life: Gide -- Counterpoint: Aldous Huxley -- Composite views -- Expressionism: Woolf, Frank -- Abstract composition: Dos Passos -- Abstact composition: Doblin -- Stream of Consciousness -- The cult of the simple -- Recapitulation |
Subject |
Fiction -- History and criticism.
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Fiction. |
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