Description |
1 online resource. |
Physical Medium |
polychrome |
Description |
text file |
Series |
Routledge library editions. Shakespeare. Critical studies ; XI
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Routledge library editions. Shakespeare ; 11.
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Note |
Originally published in 1968 by Methuen & Co. Ltd. |
Bibliography |
Includes bibliographical references and index. |
Contents |
Cover; Shakespeare and the Confines of Art; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; 1 The Contrary Valuations; 2 The Sonnets to the Dark Woman; 3 Love's Labour's Lost; 4 The Abandon'd Cave; 5 Romeo and Juliet; 6 Hamlet; 7 The Problem Plays (i); 8 The Problem Plays (ii); 9 The Jacobean Tragedies; 10 Last Plays; Conclusion; Notes; Index. |
Summary |
First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Shakespeare, William, 1564-1616 -- Technique.
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Shakespeare, William, 1564-1616. |
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Technique. |
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Art, Abstract, in literature.
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Art, Abstract, in literature. |
Genre/Form |
Electronic books.
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Other Form: |
Print version: Edwards, Philip. Shakespeare and the Confines of Art. Hoboken : Taylor and Francis, ©2013 9780415352826 |
ISBN |
9781136559853 (electronic book) |
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113655985X (electronic book) |
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9781315018348 (electronic book) |
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1315018349 (electronic book) |
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0415352827 |
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9780415352826 |
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