Description |
1 online resource (xxxviii, 160 pages). |
Physical Medium |
polychrome |
Description |
text file |
Series |
Continuum literary studies
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Continuum literary studies.
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Bibliography |
Includes bibliographical references and index. |
Contents |
Media, mediation and materiality -- Art and life: analog language -- Incarnation -- Force and form -- The body of work beyond good and evil -- Life. |
Summary |
Drawing on recent theories of digital media and on the materiality of words and images, this fascinating study makes three original claims about the work of William Blake. First, Blake offers a critique of digital media. His poetry and method of illuminated printing is directed towards uncovering an analogical language. Second, Blakes work can be read as a performative Finally, Blakes work is at one and the same time immanent and transcendent, aiming to return all forms of divinity and the sacred to the human imagination, stressing that all deities reside in the human breast, but it also stres. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Blake, William, 1757-1827 -- Aesthetics.
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Blake, William, 1757-1827. |
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Aesthetics. |
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Deleuze, Gilles, 1925-1995 -- Aesthetics.
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Deleuze, Gilles, 1925-1995. |
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Literature and technology.
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Literature and technology. |
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Digital media.
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Digital media. |
Genre/Form |
Electronic books.
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Other Form: |
Print version: Colebrook, Claire. Blake, Deleuzian aesthetics and the digital. London ; New York : Continuum, ©2012 9781441155337 (DLC) 2011040985 (OCoLC)657602631 |
ISBN |
9781441116772 (electronic book) |
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144111677X (electronic book) |
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9781441155337 |
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1441155333 |
Standard No. |
9786613478306 |
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