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003    OCoLC 
005    20180130094843.4 
006    m     o  d         
007    cr |||||||nn|n 
008    160314t20162016nyu     ob    001 0 eng d 
019    961001368|a961207406|a962434879|a964645534|a965491551
       |a979581330|a992909479 
020    9781501705915|q(electronic book) 
020    1501705911|q(electronic book) 
020    |z9781501703140 
020    |z1501703145 
024 7  10.7591/9781501705915|2doi 
035    (OCoLC)956482282|z(OCoLC)961001368|z(OCoLC)961207406
       |z(OCoLC)962434879|z(OCoLC)964645534|z(OCoLC)965491551
       |z(OCoLC)979581330|z(OCoLC)992909479 
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       |dDEGRU 
043    e-uk-en 
049    RIDW 
050  4 PR658.R43|bB76 2016 
072  7 DRA|x003000|2bisacsh 
072  7 LIT004120|2bisacsh 
072  7 LIT011000|2bisacsh 
072  7 DRA003000|2bisacsh 
082 04 822/.3093578|223 
090    PR658.R43|bB76 2016 
100 1  Brokaw, Katherine Steele,|d1980-|0https://id.loc.gov/
       authorities/names/no2016034826|eauthor. 
245 10 Staging harmony :|bmusic and religious change in late 
       medieval and early modern English drama /|cKatherine 
       Steele Brokaw. 
264  1 London :|bCornell University Press,|c2016. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|bPDF|2rda 
504    Includes bibliographical references and index. 
505 0  Sacred, sensual, and social music: wisdom and the Digby 
       Mary Magdalene -- Musical hypocrisy: the plays of John 
       Bale -- Learning to sing: the plays of Nicholas Udall -- 
       Propaganda and psalms: early Elizabethan drama -- Sound 
       effects: Doctor Faustus -- Arts to enchant: The Tempest 
       and The Winter's Tale. 
520    In Staging Harmony, Katherine Steele Brokaw reveals how 
       the relationship between drama, music, and religious 
       change across England's long sixteenth century moved 
       religious discourse to more moderate positions. It did so 
       by reproducing the complex personal attachments, nostalgic
       overtones, and bodily effects that allow performed music 
       to evoke the feeling, if not always the reality, of social
       harmony. Brokaw demonstrates how theatrical music from the
       late fifteenth to the early seventeenth centuries 
       contributed to contemporary discourses on the power and 
       morality of music and its proper role in religious life, 
       shaping the changes made to church music as well as 
       people’s reception of those changes. In representing 
       social, affective, and religious life in all its intricacy,
       and in unifying auditors in shared acoustic experiences, 
       staged musical moments suggested the value of complexity, 
       resolution, and compromise rather than oversimplified, 
       absolutist binaries worth killing or dying for.The theater
       represented the music of the church’s present and past. By
       bringing medieval and early Tudor drama into conversation 
       with Elizabethan and Jacobean drama, Brokaw uncovers 
       connections and continuities across diverse dramatic forms
       and demonstrates the staying power of musical performance 
       traditions. In analyzing musical practices and discourses,
       theological debates, devotional practices, and early 
       staging conditions, Brokaw offers new readings of well-
       known plays (Marlowe’s Doctor Faustus, Shakespeare’s The 
       Tempest and The Winter’s Tale) as well as Tudor dramas by 
       playwrights including John Bale, Nicholas Udall, and 
       William Wager. 
546    In English. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 16th century|2fast 
648  7 1500-1599|2fast 
650  0 Dramatic music|0https://id.loc.gov/authorities/subjects/
       sh87002062|zEngland|0https://id.loc.gov/authorities/names/
       n82068148-781|y16th century|0https://id.loc.gov/
       authorities/subjects/sh2002012470|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh99001187 
650  0 Religion and drama|0https://id.loc.gov/authorities/
       subjects/sh85112566|xHistory|y16th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006122 
650  7 Dramatic music.|2fast|0https://id.worldcat.org/fast/897546
650  7 Religion and drama.|2fast|0https://id.worldcat.org/fast/
       1093827 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
651  7 England.|2fast|0https://id.worldcat.org/fast/1219920 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aBrokaw, Katherine Steele, 1980-|tStaging
       harmony.|dLondon : Cornell University Press, 2016
       |z9781501703140|z1501703145|w(OCoLC)945804214 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1332314|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20180209|cEBSCO|tEBSCOebooksacademic NEW 1-29-18|lridw 
994    92|bRID