LEADER 00000cam a2200589 i 4500 
001    on1224583670 
003    OCoLC 
005    20220803115443.0 
008    201113t20212021nyua     bk   001 0 eng   
010      2020051794 
020    9780190070137|qhardcover 
020    0190070137|qhardcover 
020    9780190070144|qpaperback 
020    0190070145|qpaperback 
020    |z9780190070168|qelectronic publication 
020    |z9780190070151|qelectronic book 
024 8  40030620907 
040    DLC|beng|erda|cDLC|dOCLCO|dBDX|dYDX|dOCLCF|dUKMGB|dYDX
       |dTDF|dYUS|dGPM|dTJC|dOCLCO|dWCH 
042    pcc 
049    WCHA 
050 00 ML3877|b.K76 2021 
090    ML3877|b.K76 2021 
100 1  Kromhout, Melle Jan,|0https://id.loc.gov/authorities/names
       /no2019100855|eauthor. 
245 14 The logic of filtering :|bhow noise shapes the sound of 
       recorded music /|cMelle Jan Kromhout. 
264  1 New York, NY :|bOxford University Press,|c[2021] 
264  4 |c©2021 
300    xi, 167 pages :|billustrations ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 157-164), 
       discography (page 164) and index. 
505 00 |tNoise of sound media --|tMyth of perfect fidelity --
       |tLogic of noise reduction --|tIdeal and technical filters
       --|tTime and transience --|tLogic of filtering --
       |tConclusion : The 'other music' 
520    "This book traces the profound impact of technical media 
       on the sound of music, asking: how do media technologies 
       shape sound? How does this affect music? And how did it 
       change what we listen for in music? Based on the 
       information theoretical proposition that all transmission 
       channels introduce noise and distortion, the argument 
       accounts for the fact that technologically reproduced 
       music is inherently shaped by the technologies that enable
       its reproduction. The media archaeological assessment of 
       this noise of sound media developed in the book draws from
       a wide range of sources, both theoretical and historical, 
       conceptual and technical. Together, they show that noise 
       should not be understood as unwanted by-effect but instead
       plays a foundational role in shaping the sonic contours of
       technologically reproduced music. Over the course of five 
       chapters, the book sketches a broad history of the problem
       of noise in sound recording, looks at specific analog and 
       digital noise-related technologies, traces the ideal of 
       sonic purity back to key developments in nineteenth 
       century acoustics, and develops an analysis of the close 
       interrelation between noise and the temporality of sound. 
       This relation, it argues, is central to the way in which 
       recorded sound and music resonate with listeners. 
       Ultimately, this media specific analysis of the noise of 
       sound media thereby greatly enriches our understanding of 
       the way in which they changed and continue to change the 
       sonorous qualities of music, thus offering a new 
       perspective on the interaction between music, media and 
       listeners"--|cProvided by publisher. 
650  0 Sound recordings|0https://id.loc.gov/authorities/subjects/
       sh85125391|xAesthetics.|0https://id.loc.gov/authorities/
       subjects/sh99002256 
650  0 Music|xPhilosophy and aesthetics.|0https://id.loc.gov/
       authorities/subjects/sh85088808 
650  0 Sound|xRecording and reproducing|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh2010114225 
650  0 Noise.|0https://id.loc.gov/authorities/subjects/sh85092179
650  2 Noise.|0https://id.nlm.nih.gov/mesh/D009622 
650  7 Sound recordings.|2fast|0https://id.worldcat.org/fast/
       1127034 
650  7 Aesthetics.|2fast|0https://id.worldcat.org/fast/798702 
650  7 Music|xPhilosophy and aesthetics.|2fast|0https://
       id.worldcat.org/fast/1030408 
650  7 Sound|xRecording and reproducing.|2fast|0https://
       id.worldcat.org/fast/1126957 
650  7 Noise.|2fast|0https://id.worldcat.org/fast/1038354 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 noise.|2aat|0(CStmoGRI)aat300055336 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iOnline version:|aKromhout, Melle Jan,|tLogic of 
       filtering|b[1.]|dNew York : Oxford University Press, 2021.
       |z9780190070168|w(DLC)  2020051795 
901    MARCIVE 20231220 
994    C0|bWCH