LEADER 00000cam a2200517Ia 4500 001 ocm44165362 005 20120626110537.0 008 000601r20001999nyu 000 p eng d 020 039332026X|qpaperback 020 9780393320268|qpaperback 035 (OCoLC)ocm44165362 035 563260 040 DPB|beng|cDPB|dOCL|dXY4|dBAKER|dBTCTA|dBDX 043 n-us--- 049 RIDM 050 00 PS3554.O884|bO52 2000 082 0 811/.54|221 090 PS3554.O884 O52 2000 100 1 Dove, Rita.|0https://id.loc.gov/authorities/names/ n80111701 245 10 On the bus with Rosa Parks :|bpoems /|cRita Dove. 264 1 New York :|bNorton,|c2000. 264 4 |c©1999 300 95 pages ;|c21 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 500 "First published as a Norton paperback 2000"--T.p. verso. 500 Poems. 505 0 Cameos -- July, 1925 -- Night -- Birth -- Lake Erie skyline, 1930 -- Depression years -- Homework -- Graduation, Grammar school -- Painting the town -- Easter Sunday, 1940 -- Nightwatch: Son -- Freedom: Bird's-eye view -- Singsong -- I cut my finger once on purpose -- Parlor -- First Book -- Maple Valley Branch Library, 1967 -- Freedom: Bird's-Eye View -- Testimonial -- Dawn revisited -- Black on a saturday night -- My mother enters the work force -- Black on a saturday night -- Musician talks about "process" -- Sunday -- Camel comes to us from the barbarians -- Venus of Willendorf -- Incarnation in Phoenix -- Revenant -- Best western motor lodge, AAA approved -- Revenant -- On Veronica -- Peach orchard -- Against repose -- Against self-pity -- Gotterdammerung -- Ghost walk -- Lady freedom among us -- For Sophie, who'll be in first grade in the year 2000 -- On the bus with Rosa Parks -- Sit back, relax -- "The situation is intolerable" -- Freedom ride -- Climbing in -- Claudette Colvin goes to work -- Enactment -- Rosa -- Transatlantic crossing: Third day -- In the lobby of the Warner theatre, Washington, D.C. -- Pond, porch-view: Six P.M., Early spring -- Notes -- Acknowledgments. 520 In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos, " to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history. 650 0 African American women civil rights workers|0https:// id.loc.gov/authorities/subjects/sh92006796|vPoetry.|0https ://id.loc.gov/authorities/subjects/sh99001678 650 0 Civil rights movements|0https://id.loc.gov/authorities/ subjects/sh85026384|vPoetry.|0https://id.loc.gov/ authorities/subjects/sh99001678 650 0 African American women|vPoetry.|0https://id.loc.gov/ authorities/subjects/sh2007100767 650 0 African Americans|vPoetry.|0https://id.loc.gov/authorities /subjects/sh2007100202 650 7 African American women civil rights workers.|2fast|0https: //id.worldcat.org/fast/799481 650 7 Civil rights movements.|2fast|0https://id.worldcat.org/ fast/862708 650 7 African American women.|2fast|0https://id.worldcat.org/ fast/799438 650 7 African Americans.|2fast|0https://id.worldcat.org/fast/ 799558 655 7 Poetry.|2fast|0https://id.worldcat.org/fast/1423828 655 7 Poetry.|2lcgft|0https://id.loc.gov/authorities/genreForms/ gf2014026481 901 MARCIVE 20231220 935 563260 994 C0|bRID
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