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BestsellerE-book
Author Schur, Richard L.

Title Parodies of ownership : hip-hop aesthetics and intellectual property law / Richard L. Schur.

Publication Info. Ann Arbor : University of Michigan Press : University of Michigan Library, [2009]

Item Status

Description 1 online resource
Physical Medium polychrome.
Description data file
Bibliography Includes bibliographical references and index.
Contents From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post -- civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
Access Use copy Restrictions unspecified MiAaHDL
Summary "What is the relationship between hip-hop and African American culture in the post-Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post-Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed."--Publisher's description
Reproduction Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL
System Details Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Note This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Unported License
Language English.
Processing Action digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL
Local Note JSTOR Books at JSTOR Open Access
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America
Subject African Americans in popular culture.
African Americans -- Legal status, laws, etc.
Hip-hop -- Influence.
Intellectual property -- United States.
Indexed Term African Americans
Legal status, laws, etc.
Intellectual property
United States
Hip-hop
Influence
African Americans in popular culture
Genre/Form Electronic books.
Electronic books.
Other Form: Print version: Parodies of ownership Ann Arbor : University of Michigan Press : c2009. 9780472070602 (cloth : alk. paper) (DLC) 2009004565
ISBN 9780472024490 (ebook)
0472024493
0472050605 (pbk. ; alk. paper)
0472070606 (cloth ; alk. paper)
9780472050604 (pbk. ; alk. paper)
9780472070602 (cloth ; alk. paper)
9780472900442 (electronic bk.)
0472900447 (electronic bk.)
9786613011596
6613011592
Standard No. 10.3998/dcbooks.6814160.0001.001
https://doi.org/10.3998/dcbooks.6814160.0001.001