Description |
1 online resource (xi, 236 pages) : illustrations |
Series |
Edinburgh Studies in Film and Intermediality
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Edinburgh studies in film and intermediality.
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Contents |
Acknowledgements and Illustrations; Introduction; Chapter 1: Impure Pictoriality: The Matter of Painting; Chapter 2: Performing the Mind: Interiority, Television, and Artificial Brains; Chapter 3: (Quietly) Noisy Images, Sonic Landscapes, Audiotape and 'the New Musicality'; Chapter 4: The 'Image-World' and The Reality of Photography; Chapter 5: Uncinematic Provocations and the Pursuit of Boredom. |
Summary |
The book offers a radical rethinking of Michelangelo Antonioni's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. |
Bibliography |
Includes bibliographical references (pages 201-227) and index. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Antonioni, Michelangelo -- Criticism and interpretation.
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Antonioni, Michelangelo. |
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Motion picture producers and directors -- Italy.
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Motion picture producers and directors. |
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Italy. |
Genre/Form |
Criticism, interpretation, etc.
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Other Form: |
Print version: Nardelli, Matilde. Antonioni and the aesthetics of impurity. Edinburgh : Edinburgh University Press, [2020] 9781474444064 (OCoLC)1117555393 |
ISBN |
9781474444064 (electronic bk.) |
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1474444067 (electronic bk.) |
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1474444040 |
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9781474444040 |
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9781474444071 Electronic book (EPUB format) |
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1474444075 |
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