LEADER 00000cam a22007818i 4500 
001    ocn958205581 
003    OCoLC 
005    20200110051454.8 
006    m     o  d         
007    cr ||||||||||| 
008    160908s2016    mau     ob    001 0 eng   
010      2016041468 
020    9789004334830|q(electronic book) 
020    9004334831|q(electronic book) 
020    |z9789004319745|q(hardback) ;|qalkaline paper) 
035    (OCoLC)958205581 
040    DLC|beng|erda|epn|cDLC|dOCLCO|dOCLCA|dLGG|dN$T|dYDX|dEBLCP
       |dOCLCF|dOCLCQ|dWTU|dOCLCO|dUAB|dESU|dOCLCQ|dAU@|dOCLCQ
       |dOCLCO|dLEAUB|dUPM|dOCLCQ|dOCLCO|dOCLCQ 
042    pcc 
043    e-be--- 
049    RIDW 
050 10 N8660.F665 
072  7 ART|x015000|2bisacsh 
082 00 709.2|223 
084    20.14|2bcl 
090    N8660.F665 
100 1  Ginhoven, Sandra van,|0https://id.loc.gov/authorities/
       names/n2003095104|eauthor. 
245 10 Connecting art markets :|bGuilliam Forchondt's dealership 
       in Antwerp (c. 1632-78) and the overseas paintings trade /
       |cby Sandra van Ginhoven. 
263    1612 
264  1 Boston :|bBrill,|c2016. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
347    text file|2rdaft 
490 1  Studies in the history of collecting & art markets ;
       |vvolume 1 
500    Outgrowth of the author's thesis (doctoral--Duke 
       University, 2015) under the title: Role of the Antwerp 
       painter-dealer Guilliam Forchondt in the large-scale 
       distribution of new imagery in Europe and the Americas 
       during the seventeenth century. 
504    Includes bibliographical references and index. 
505 0  Acknowledgments; List of Abbreviations; Introduction; 
       Chapter 1 Art Dealers as Cultural Agents: The Case of 
       Guilliam Forchondt; 1.1 A Markets Approach to Early Modern
       European and Latin American Art; 1.2 Art Dealers in Early 
       Modern Art and Markets History; Guilliam Forchondt as Case
       Study; Chapter 2 The Southern Netherlands Factor in the 
       Transatlantic Paintings Trade; 2.1 Transatlantic Art Trade
       through Shipping Documents; 2.2 The Transatlantic Journey 
       and Traffic; The Planning Stage; The Transatlantic 
       Journey; Transatlantic Traffic during the Seventeenth 
       Century. 
505 8  Flemish Merchants in the American Trade2.3 Transatlantic 
       Art Trade Flows, 1630-80; Artworks in the Carrera de 
       Indias; 2.4 Selling Paintings from the Southern 
       Netherlands in the New World; Reactions in Mexico and Peru
       to the Competition; Chapter 3 The Forchondt Business 
       Model; 3.1 Antwerp's Painting Industry and Guilliam 
       Forchondt; 3.2 The Forchondt Business; Valuation and Scope
       of the Business; Products, Processes and Profits; 3.3 
       Market Dynamics and the Changing Structure of the Firm; 
       The Family Business; Contracting and Subcontracting 
       Arrangements; Suppliers; Agents and Buyers. 
505 8  Chapter 4 Marketing Paintings through their 
       Characteristics4.1 Antwerp Art Production for Exports and 
       Buyers' Preferences; 4.2 Preferences for Paintings by 
       Geographical Location; The Southern Netherlands; The Dutch
       Republic; France; Vienna and German Cities; The Iberian 
       Peninsula and the Americas; Chapter 5 The Long-Distance 
       Commercial Network with Spain and the Americas; 5.1 Early 
       Modern Commercial Networks in the Art Trade; 5.2 Guilliam 
       Forchondt's Commercial Network; Scope and Scale of 
       Forchondt's Commercial Relationships; Shipping and 
       Financial Intermediaries for the Iberian Peninsula. 
505 8  Forchondt's Art Trade Network with Spain and the 
       AmericasChapter 6 Dealer Behavior in Spain and the 
       Americas; 6.1 Flemish Paintings for the Iberian Peninsula 
       and the New World; 6.2 Production and Reproduction of 
       Paintings; 6.3 Dissemination of Multiple Originals and 
       Adaptability of Visual Motifs; 6.4 Painters, Dealers and 
       the Market for Paintings in Seville, Cadiz, Mexico and 
       Peru; Conclusion; Appendices; Bibliography; Unpublished 
       Primary Sources; Published Primary Sources; Secondary 
       Sources; Index. 
520    "Connecting Art Markets proposes that vertically-
       integrated art dealers operating on a large scale acted as
       cultural mediators, and offers an aggregate view that 
       connects artistic and market developments at both sides of
       the Atlantic."--Publisher description. 
588 0  Print version record and CIP data provided by publisher; 
       resource not viewed. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Forchondt, Guilliam,|d1608-1678.|0https://id.loc.gov/
       authorities/names/n2016048808 
600 17 Forchondt, Guilliam,|d1608-1678.|2fast|0https://
       id.worldcat.org/fast/1944072 
648  7 17th century|2fast 
648  7 1600-1699|2fast 
650  0 Art dealers|0https://id.loc.gov/authorities/subjects/
       sh85007993|zBelgium|zAntwerp|0https://id.loc.gov/
       authorities/names/n79018141-781|xHistory|y17th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006123 
650  0 Painting|0https://id.loc.gov/authorities/subjects/
       sh85096661|xMarketing|0https://id.loc.gov/authorities/
       subjects/sh99005342|xHistory|y17th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006123 
650  0 Painting|0https://id.loc.gov/authorities/subjects/
       sh85096661|xCollectors and collecting|0https://id.loc.gov/
       authorities/subjects/sh99005241|xHistory|y17th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006123 
650  7 Art dealers.|2fast|0https://id.worldcat.org/fast/815515 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Painting|xMarketing.|2fast|0https://id.worldcat.org/fast/
       1050597 
650  7 Painting.|2fast|0https://id.worldcat.org/fast/1050567 
650  7 Painting|xCollectors and collecting.|2fast|0https://
       id.worldcat.org/fast/1050574 
651  7 Belgium|zAntwerp.|2fast|0https://id.worldcat.org/fast/
       1204472 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aGinhoven, Sandra van.|tConnecting art 
       markets.|dBoston : Brill, 2016|z9789004319745|w(DLC)  
       2016041112 
830  0 Studies in the history of collecting & art markets ;
       |0https://id.loc.gov/authorities/names/no2017060351|vv. 1.
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1456104|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
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