| Description |
x, 206 pages : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 194-201) and index. |
| Contents |
Introduction: playing author -- Publishing the fool: Robert Armin and the collective production of mirth -- Actor-playwright and the true poet: Nathan Field, Ben Jonson, and the prerogatives of the author -- Anthony Munday and the spectacle of martyrdom -- "Some zanie with his mimick action": Thomas Heywood and the staging of humanist authority -- Coda: the Shakespearean silence. |
| Subject |
English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism.
|
|
Actors as artists -- England -- History -- 16th century.
|
|
Actors as artists. |
|
England. |
|
History. |
| Chronological Term |
16th century |
| Subject |
Munday, Anthony, 1553-1633 -- Criticism and interpretation.
|
|
Munday, Anthony, 1553-1633. |
|
Criticism and interpretation. |
|
Field, Nathan, 1587-1620? -- Criticism and interpretation.
|
|
Field, Nathan, 1587-1620? |
|
Heywood, Thomas, approximately 1574-1641 -- Criticism and interpretation.
|
|
Heywood, Thomas, approximately 1574-1641. |
|
Armin, Robert, active 1610 -- Criticism and interpretation.
|
|
Armin, Robert, active 1610. |
|
Actors as artists -- England -- History -- 17th century.
|
| Chronological Term |
17th century |
| Subject |
English drama -- 17th century -- History and criticism.
|
|
English drama. |
|
Playwriting -- History -- 16th century.
|
|
Playwriting. |
|
Playwriting -- History -- 17th century.
|
| ISBN |
0521824168 |
|
