| Description |
1 online resource (xi, 328 pages) : illustrations |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
On origins of art history and criticism -- The origins of architectural drawing in the Middle Ages and Renaissance -- Leonardo da Vinci's church designs -- On the origins of architectural photography -- Imitation -- Art and science in the drawings of Leonardo da Vinci -- The aesthetics of architecture in the Renaissance -- The influence of antiquity on Italian Renaissance villas -- Daniele Barbaro and Vitruvius -- Palladio: classical in what sense? -- Thomas Jefferson and Italy -- The conventions and rhetoric of architectural drawing. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Art criticism -- Historiography.
|
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Art criticism -- Historiography. |
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Art criticism. |
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Art -- Historiography.
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Art -- Historiography. |
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Art, Renaissance.
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Art, Renaissance. |
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Modernism (Art)
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Modernism (Art) |
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Poststructuralism.
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Poststructuralism. |
| Genre/Form |
Electronic books.
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| Other Form: |
Print version: Ackerman, James S. Origins, imitation, conventions. Cambridge, Mass. : MIT Press, ©2002 0262011867 (DLC) 2001044155 (OCoLC)47295757 |
| ISBN |
9780262266765 (electronic book) |
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0262266768 (electronic book) |
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0585436983 (electronic book) |
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9780585436982 (electronic book) |
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