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001    ocm65185233  
003    OCoLC 
005    20160527041238.9 
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007    cr cnu---unuuu 
008    060322s2000    nyua    ob    001 0ceng d 
019    150349311|a252574195|a455966150|a646800558|a744539272
       |a756880924|a764510117|a768692020 
020    142376112X|q(electronic book) 
020    9781423761129|q(electronic book) 
020    9780195129649 
020    0195129644|q(alkaline paper) 
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050  4 N6868.5.N37|bP4823 2000eb 
072  7 BIO|x001000|2bisacsh 
072  7 ART|x015030|2bisacsh 
082 04 709/.43/09043|222 
090    N6868.5.N37|bP4823 2000eb 
100 1  Petropoulos, Jonathan.|0https://id.loc.gov/authorities/
       names/n95024117 
245 14 The Faustian bargain :|bthe art world in Nazi Germany /
       |cJonathan Petropoulos. 
264  1 New York, N.Y. :|bOxford University Press,|c2000. 
300    1 online resource (xvii, 395 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
504    Includes bibliographical references (pages 281-376) and 
       index. 
505 0  Art museum directors -- Art dealers -- Art journalists -- 
       Art historians -- Artists. 
520    Nazi art looting has been the subject of enormous 
       international attention in recent years, and the topic of 
       two history bestsellers, Hector Feliciano's The Lost 
       Museum and Lynn Nicholas's The Rape of Europa. But such 
       books leave us wondering: What made thoughtful, educated, 
       artistic men and women decide to put their talents in the 
       service of a brutal and inhuman regime? This question is 
       the starting point for The Faustian Bargain, Jonathan 
       Petropoulos's study of the key figures in the art world of
       Nazi Germany. Petropoulos follows the careers of these 
       prominent individuals who like Faust, that German 
       archetype, chose to pursue artistic ends through 
       collaboration with diabolical forces. Readers meet Ernst 
       Buchner, the distinguished museum director and expert on 
       Old Master paintings who "repatriated" the Van Eyck 
       brothers' Ghent altarpiece to Germany, and Karl Haberstock,
       an art dealer who filled German museums with works bought 
       virtually at gunpoint from Jewish collectors. Robert 
       Scholz, the leading art critic in the Third Reich, who 
       became an officer in the chief art looting unit in France 
       and Kajetan Muhlmann-and a leading art historian-was 
       probably the single most prolific art plunderer in the war
       (and arguably in history). Finally, there is Arno Breker, 
       a gifted artist who exchanged his modernist style for 
       monumental realism and became Hitler's favorite sculptor. 
       If it is striking that these educated men became part of 
       the Nazi machine, it is more remarkable that most of them 
       rehabilitated their careers and lived comfortably after 
       the war. Petropoulos has discovered a network of these 
       rehabilitated experts that flourished in the postwar 
       period, and he argues that this is a key to the tens of 
       thousands of looted artworks that are still "missing" 
       today. Based on previously unreleased information and 
       recently declassified documents, The Faustian Bargain is a
       gripping read about the art world during this period, and 
       a fascinating examination of the intense relationship 
       between culture and politics in the Third Reich. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 20th century|2fast 
650  0 National socialism and art.|0https://id.loc.gov/
       authorities/subjects/sh85090134 
650  0 Art and state|zGermany|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2009115692 
650  0 Art treasures in war|0https://id.loc.gov/authorities/
       subjects/sh85008090|zGermany.|0https://id.loc.gov/
       authorities/names/n80125931-781 
650  0 Nazis|0https://id.loc.gov/authorities/subjects/sh85090140
       |zGermany|0https://id.loc.gov/authorities/names/n80125931-
       781|xArt collections.|0https://id.loc.gov/authorities/
       subjects/sh99002459 
650  0 Art|zGermany|0https://id.loc.gov/authorities/subjects/
       sh91002387|vBiography.|0https://id.loc.gov/authorities/
       subjects/sh99001237 
650  7 National socialism and art.|2fast|0https://id.worldcat.org
       /fast/1033786 
650  7 Art and state.|2fast|0https://id.worldcat.org/fast/815435 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Cultural policy.|2fast|0https://id.worldcat.org/fast/
       885007 
650  7 Art treasures in war.|2fast|0https://id.worldcat.org/fast/
       815842 
650  7 Nazis.|2fast|0https://id.worldcat.org/fast/1035219 
650  7 Art museums.|2fast|0https://id.worldcat.org/fast/815631 
650  7 Art.|2fast|0https://id.worldcat.org/fast/815177 
651  0 Germany|xCultural policy|0https://id.loc.gov/authorities/
       subjects/sh2008115153|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006165 
651  7 Germany.|2fast|0https://id.worldcat.org/fast/1210272 
655  4 Electronic books. 
655  7 Biographies.|2fast|0https://id.worldcat.org/fast/1919896 
655  7 Biographies.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2014026049 
776 08 |iPrint version:|aPetropoulos, Jonathan.|tFaustian 
       bargain.|dNew York, N.Y. : Oxford University Press, 2000
       |z0195129644|w(DLC)   99033372|w(OCoLC)41531808 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=151401|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160615|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID