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050 4 N6913|b.T47 2020
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090 N6913|b.T47 2020
100 1 Terry-Fritsch, Allie,|0https://id.loc.gov/authorities/
names/n2011084101|eauthor.
245 10 Somaesthetic experience and the viewer in Medicean
Florence :|bRenaissance art and political persuasion, 1459
-1580 /|cAllie Terry-Fritsch.
264 1 Amsterdam :|bAmsterdam University Press,|c[2020]
300 1 online resource.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
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490 1 Visual and material culture, 1300-1700
505 0 Cover -- Table of Contents -- Acknowledgements -- 1.
Activating the Renaissance Viewer: Art and Somaesthetic
Experience -- Somaesthetics and Political Persuasion --
Patronage and the Construction of the Viewer in Medicean
Florence -- 2. Mobilizing Visitors: Political Persuasion
and the Somaesthetics of Belonging in the Chapel of the
Magi -- Sensory Activation and the Signaling of the Patron
-- Somaesthetic Emplacement in Immersive Artistic Programs
-- Staging Belonging in Bethlehem
505 8 3. Staging Gendered Authority: Donatello's Judith,
Lucrezia Tornabuoni de'Medici's sacra storia, and the
Somaesthetics of Justice -- Medici Garden as Theater in
the Round -- Somaesthetic Cultivation of Audience and
Narrator -- Collective Witnessing at the Scaffolds -- 4.
Performing Virtual Pilgrimage: Somaesthetics and Holy Land
Devotion at San Vivaldo -- Materializing the Holy Land
Experience -- Somaesthetic Fashioning and Affective
Devotion -- Possessing the New Jerusalem
505 8 5. Playing the Printed Piazza: Giovanni de' Bardi's
Discorso sopra il giuoco del calcio fiorentino and
Somaesthetic Discipline in Grand-Ducal Florence -- The
Florentine Piazza as Practiced Space of Calcio --
Antiquity and Historical Realism in Bardi's Discorso --
Battle Tactics, Vedute, and Somaesthetic Dominion --
Ritual Display and Restraint in the Noble Game of Calcio -
- 6. Epilogue: Renaissance Somaesthetics in a Digital
World -- About the Author -- Index -- List of
Illustrations -- Plates
505 8 Plate 1. Fra Angelico, San Marco Altarpiece, 1438-1442,
tempera on wood, originally for high altar of Church of
San Marco, today in Museo di San Marco, Florence (Photo:
Art Resource) -- Plate 2. View of the Chapel of the Magi,
constructed by Michelozzo and painted by Benozzo Gozzoli
by 1459, Palazzo Medici Riccardi, Florence (Photo: Alamy)
-- Plate 3. Filippo Lippi, Adoration of the Child, c.1457,
tempera with oil glazes and gold on poplar, originally
located on the altar of the Chapel of Magi, Palazzo Medici,
Florence -- today housed in Berlin, Gemäldegalerie,
Staatliche Museen (Photo: Art Reso
505 8 Plate 4. View of the eastern wall of Benozzo Gozzoli's
painted cycle of the Procession of the Magi, 1459, mixed
media, Chapel of the Magi, Palazzo Medici Riccardi,
Florence (Photo: Art Resource) -- Plate 5. Detail of gold
revetments on the leather straps of Cosimo de'Medici's
mule, east wall, Chapel of the Magi (Photo: Author) --
Plate 6. Benozzo Gozzoli, Adoration of the Magi, fresco,
c.1444, fresco, Cell 39, north corridor of dormitory,
Convent of San Marco, Florence (Photo: Author)
520 Viewers in the Middle Ages and Renaissance were encouraged
to forge connections between their physical and affective
states when they experienced works of art. They believed
that their bodies served a critical function in coming to
know and make sense of the world around them, and
intimately engaged themselves with works of art and
architecture on a daily basis. This book examines how
viewers in Medicean Florence were self-consciously
cultivated to enhance their sensory appreciation of works
of art and creatively self-fashion through somaesthetic
experience. Mobilized as a technology for the production
of knowledge with and through their bodies, viewers
contributed to the essential meaning of Renaissance art
and, in the process, bound them to others. By
investigating the framework and practice of somaesthetic
viewing of works by Benozzo Gozzoli, Donatello, Benedetto
Buglioni, Giorgio Vasari, and others in fifteenth- and
sixteenth-century Florence, the book approaches the viewer
as a powerful tool that was used by patrons to shape
identity and power in the Renaissance.
588 0 Online resource; title from digital title page (viewed on
October 01, 2020).
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
648 7 15th century|2fast
648 7 16th century|2fast
648 7 1400-1599|2fast
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650 0 Renaissance|zItaly|zFlorence.|0https://id.loc.gov/
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655 4 Electronic books.
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830 0 Visual and material culture, 1300-1700.|0https://
id.loc.gov/authorities/names/no2017099120
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
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db=nlebk&AN=2601022|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20211213|cEBSCO|tEBSCOebooksacademic NEW Oct-Nov 5018
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