LEADER 00000cam a2200613 i 4500 
001    ocn954480362 
003    OCoLC 
005    20230929133626.0 
006    m     o  d         
007    cr cnu---unuuu 
008    160802s2016    ncu     ob    001 0 eng d 
019    970389286|a970620907|a985261667 
020    9781476626048|q(electronic bk.) 
020    1476626049|q(electronic bk.) 
020    |z9780786494095 
020    |z0786494093 
035    (OCoLC)954480362|z(OCoLC)970389286|z(OCoLC)970620907
       |z(OCoLC)985261667 
040    N$T|beng|erda|epn|cN$T|dYDXCP|dIDEBK|dEBLCP|dOCLCF|dYDX
       |dTJC|dUAB|dOCLCQ|dBUF|dOCLCQ|dOCLCA|dUKAHL|dOCLCQ|dOCLCO
       |dOCLCQ|dOCLCO|dOCLCQ 
043    e-uk-en 
049    RIDW 
050  4 N6796|b.D48 2016eb 
072  7 ART|x050000|2bisacsh 
082 04 704/.042094209034|223 
090    N6796|b.D48 2016eb 
100 1  Devereux, Joanna,|d1962-|eauthor. 
245 14 The making of women artists in Victorian England :|bthe 
       education and careers of six professionals /|cJo Devereux.
264  1 Jefferson, North Carolina :|bMcFarland & Company, Inc., 
       Publishers,|c2016. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Cover; Table of Contents; Acknowledgments ; Preface ; 
       Introduction ; One. Women Artists' Networks at the South 
       Kensington, Royal Academy and Slade Schools, 1860-1910; 
       Two. "The golden spectacles": Reading Kate Greenaway 
       through Her Mentors; Three. "On the line" at the Royal 
       Academy: Elizabeth Butler and Motion; Four. The 
       Iconography of "Happy England": Helen Allingham's Genre 
       Paintings; Five. Galatea Reversed: Princess Louise and 
       Nineteenth-Century Women Sculptors. 
505 8  Six. "The spirit which animated the workers": Evelyn De 
       Morgan's Aesthetic MannerismSeven. "[Un]winding the Skein"
       : Henrietta Rae and the Undraped Nude; Appendix: Artists 
       and Schools ; Chapter Notes ; Bibliography. 
520    "When women were admitted to the Royal Academy Schools in 
       1860, female art students gained a foothold in the most 
       conservative art institution in England. The Royal Female 
       College of Art, the South Kensington Schools and the Slade
       School of Fine Art also produced increasing numbers of 
       women artists"--|cProvided by publisher 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 1800-1899|2fast 
650  0 Women artists|zEngland. 
650  0 Art|xStudy and teaching|zEngland|xHistory|y19th century. 
650  0 Art, Victorian|zEngland. 
650  0 Art and society|zEngland|xHistory|y19th century. 
650  7 ART|xSubjects & Themes|xGeneral.|2bisacsh 
650  7 Art and society.|2fast|0(OCoLC)fst00815432 
650  7 Art|xStudy and teaching.|2fast|0(OCoLC)fst00815338 
650  7 Art, Victorian.|2fast|0(OCoLC)fst00817001 
650  7 Women artists.|2fast|0(OCoLC)fst01177159 
651  7 England.|2fast|0(OCoLC)fst01219920 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aDevereux, Joanna, 1962-|tMaking of women
       artists in Victorian England.|dJefferson, North Carolina :
       McFarland & Company, Inc., Publishers, 2016|z9780786494095
       |w(DLC)  2016030397|w(OCoLC)948560997 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1295059|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20240319|cEBSCO|tEBSCOebooksacademic NEW 9-29-23 3174
       |lridw 
994    92|bRID