LEADER 00000cam a2200769Ma 4500 
001    ocn802057089 
003    OCoLC 
005    20160527041121.2 
006    m     o  d         
007    cr cn||||||||| 
008    111118s2012    inua    ob    001 0ceng d 
019    922968881 
020    9781612492247|q(electronic book) 
020    161249224X|q(electronic book) 
020    |z1557536139|q(paperback) 
020    |z9781557536136 
035    (OCoLC)802057089|z(OCoLC)922968881 
037    22573/ctt6nxf25|bJSTOR 
040    E7B|beng|epn|cE7B|dOCLCO|dN$T|dORE|dP@U|dOCLCF|dOCLCA
       |dJSTOR|dYDXCP|dOCLCQ|dOCLCO|dEBLCP|dOCLCO|dOCLCQ|dOCL 
043    e-au--- 
049    RIDW 
050  4 N6811|b.J64 2012eb 
072  7 BIO|x001000|2bisacsh 
072  7 ART|x050000|2bisacsh 
072  7 ART015100|2bisacsh 
072  7 HIS022000|2bisacsh 
072  7 HIS040000|2bisacsh 
082 04 704/.042092243613|aB|223 
090    N6811|b.J64 2012eb 
100 1  Johnson, Julie M.|0https://id.loc.gov/authorities/names/
       n2011080281 
245 14 The memory factory :|bthe forgotten women artists of 
       Vienna 1900 /|cJulie M. Johnson. 
246 30 Forgotten women artists of Vienna 1900 
264  1 West Lafayette, Ind. :|bPurdue University Press,|c2012. 
300    1 online resource (xviii, 438 pages) :|billustrations 
       (some color). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Central European studies 
504    Includes bibliographical references and index. 
520    "The Memory Factory introduces an English-speaking public 
       to the significant women artists of Vienna at the turn of 
       the twentieth century, each chosen for her aesthetic 
       innovations and participation in public exhibitions. These
       women played important public roles as exhibiting artists,
       both individually and in collectives, but this history has
       been silenced over time. Their stories show that the city 
       of Vienna was contradictory and cosmopolitan: despite men-
       only policies in its main art institutions, it offered a 
       myriad of unexpected ways for women artists to forge 
       successful public careers. Women artists came from the 
       provinces, Russia, and Germany to participate in its 
       vibrant art scene. However, and especially because so many
       of the artists were Jewish, their contributions were 
       actively obscured beginning in the late 1930s. Many had to
       flee Austria, losing their studios and lifework in the 
       process. Some were killed in concentration camps. Along 
       with the stories of individual women artists, the author 
       reconstructs the history of separate women artists' 
       associations and their exhibitions. Chapters covering the 
       careers of Tina Blau, Elena Luksch-Makowsky, Helene Funke,
       and Teresa Ries (among others) point to a more integrated 
       and cosmopolitan art world than previously thought; one 
       where women became part of the avant-garde, accepted and 
       even highlighted in major exhibitions at the Secession and
       with the Klimt group. "This is an excellent addition to 
       the literature on fin-de-siècle Vienna, well-researched 
       and well-argued. It highlights little-known artists and 
       situates them in a novel interpretation of women's roles 
       in the art world. The author challenges dominant tropes of
       feminist historiography and thus sheds new light on 
       twentieth-century art history and historiography," Michael
       Gubser, James Madison University."--Provided by publisher.
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 19th century|2fast 
648  7 20th century|2fast 
648  7 1800-1999|2fast 
650  0 Women artists|0https://id.loc.gov/authorities/subjects/
       sh85147447|zAustria|zVienna|0https://id.loc.gov/
       authorities/names/n79018895-781|vBiography.|0https://
       id.loc.gov/authorities/subjects/sh99001237 
650  0 Art and society|0https://id.loc.gov/authorities/subjects/
       sh85007975|zAustria|zVienna|0https://id.loc.gov/
       authorities/names/n79018895-781|xHistory|y19th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006167 
650  0 Art and society|0https://id.loc.gov/authorities/subjects/
       sh85007975|zAustria|zVienna|0https://id.loc.gov/
       authorities/names/n79018895-781|xHistory|y20th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006165 
650  7 Women artists.|2fast|0https://id.worldcat.org/fast/1177159
650  7 Art and society.|2fast|0https://id.worldcat.org/fast/
       815432 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
651  7 Austria|zVienna.|2fast|0https://id.worldcat.org/fast/
       1204516 
655  0 Electronic books. 
655  4 Electronic books. 
655  7 Biographies.|2fast|0https://id.worldcat.org/fast/1919896 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
655  7 Biographies.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2014026049 
776 08 |iPrint version:|aJohnson, Julie M.|tMemory factory.|dWest
       Lafayette, Ind. : Purdue University Press, 2012|w(DLC)  
       2011047705 
830  0 Central European studies.|0https://id.loc.gov/authorities/
       names/n98088412 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=493481|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID