| Description |
1 online resource (x, 395 pages). |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Leonardo
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Leonardo (Series) (Cambridge, Mass.)
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| Bibliography |
Includes bibliographical references (pages 309-354) and index. |
| Contents |
Series Foreword; Acknowledgments; Introduction; 1 Anticipation of the Electronic Grid (New Tendencies, 1961); Constructing Peripheral Modernity; Postwar Discourses on Art, Design, Technology, and Society; In Search of the Infinite: The Networks Preceding New Tendencies; New Tendencies 1961: The Exhibition; The Aesthetics of Relational Fields; Visual Structuralism; Anticipating the Electronic Grid; 2 The Scientification of Art? (1962-1963); Art as Research; Collective Production; Art and Information Aesthetics; Programmed Art; Participation in the New Machine Age. |
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The Second New Tendencies Exhibition (1963)The Breton Moment; 3 Dreamworlds of Cybernetic Socialism (1963-1965); The Relationship between Art and Design; The Third New Tendencies Exhibition; Homo Ludens in the Environment; The End of New Tendencies as a Movement; 4 Computers, Visual Research, and "1968" (1968-1969); Computers and Visual Research: The Events of Summer 1968; Biasi Complains; The Year 1968 as a Paradigm-Changing Moment in History; Communism at the Crossroads; Networking for Computers and Visual Research; tendencies 4 (May-August 1969). |
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The Computers and Visual Research ExhibitionGustav Metzger; Otto Beckmann and ars intermedia; Compos 68; Marc Adrian; Vladimir Bonačić; Computers and Visual Research Conference; 5 Dematerializations: Art in the Early Information Revolution (1971/1973-1978); The New Art Practices; Vojvodina Conceptual Avant-Garde; Art in the Informational Paradigm; Art and Society (1977-1978); 6 Information Aesthetics Now; Notes; Introduction; 1 Anticipation of the Electronic Grid (New Tendencies 1, 1961); 2 The Scientification of Art? (1962-1963); 3 Dreamworlds of Cybernetic Socialism (1963-1965). |
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4 Computers, Visual Research, and "1968" (1968-1969)5 Dematerializations: Art in the Early Information Revolution (1971/1973-1978); 6 Information Aesthetics Now; Artwork Cited; Introduction; 1 Anticipation of the Electronic Grid (New Tendencies, 1961); 2 The Scientification of Art? (1962-1963); 3 Dreamworlds of Cybernetic Socialism (1963-1965); 4 Computers, Visual Research, and "1968" (1968-1969); 5 Dematerializations: Art in the Early Information Revolution (1971/1973-1978); Bibliography; Archive Sources; Published Sources; Index. |
| Summary |
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Nouvelle tendance (Exhibition)
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Nouvelle tendance (Exhibition) |
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Information theory in aesthetics.
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Information theory in aesthetics. |
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Art and technology -- Europe -- History -- 20th century.
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Art and technology. |
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Europe. |
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History. |
| Chronological Term |
20th century |
| Subject |
Art and society -- Europe -- History -- 20th century.
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Art and society. |
| Chronological Term |
1900-1999 |
| Indexed Term |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art |
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ARTS/Art History/Contemporary Art |
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SOCIAL SCIENCES/Media Studies |
| Genre/Form |
Electronic books.
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History.
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| Other Form: |
Print version: Medosch, Armin. New tendencies. Cambridge, Massachusetts : The MIT Press, [2016] 9780262034166 0262034166 (DLC) 2015038401 (OCoLC)925426404 |
| ISBN |
9780262331913 (electronic book) |
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0262331918 (electronic book) |
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9780262331906 (electronic book) |
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026233190X (electronic book) |
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9780262034166 |
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0262034166 |
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