--subdivision Music under ethnic groups for music of the group; and subdivision Songs and music under names of persons, corporate bodies, places, classes of persons, ethnic groups, wars, and topical headings for collections or single works of vocal or instrumental music about the topic or entity
Musical works with a melody that is imitated at a particular interval of time, generally note-for-note. For works based on canonic imitation that generally begin with a subject that recurs frequently throughout see Fugues.
Vocal music that usually contains solos, duets, recitatives, and choruses with instrumental accompaniment. For sacred cantatas assign the additional term Sacred music.
Instrumental pieces designed for performance in order to exploit a facet of performing technique. For musical works and exercises designed for practice with the aim of perfecting a facet of performing technique see Studies (Music).
Musical works based on canonic imitation that generally begin with a subject that recurs frequently throughout. For works with a melody that is imitated at a particular interval of time, generally note-for-note see Canons (Music).
Music performed between parts of other works. For short, instrumental musical works that are performed independently of other works, see Intermezzos (Instrumental music).
Short, instrumental musical works that are performed independently of other works. For music performed between parts of other works, see Interludes (Music).
Collections of versets for the organ that replace parts of the Ordinary and Proper of the Mass and are played in alternation with the sung portions. For musical settings of the Mass in its entirety or for the Mass ordinary see Masses.
Musical compositions that are intended to introduce a dramatic vocal work or spoken drama, and also for independent works with the word "overture" in the composer's title.
Musical compositions that introduce another or larger instrumental work (e.g., a fugue, a suite), or that are relatively short stand-alone pieces that explore particular moods, musical figures, or technical problems. For musical compositions that are intended to introduce a dramatic vocal work or spoken drama, and independent works with the word "overture" in the composer's title, see Overtures.