LEADER 00000cam a2200913 i 4500
001 on1080081749
003 OCoLC
005 20220702022102.0
006 m o d
007 cr cnu---unuuu
008 190129t20192019nyua ob 001 0 eng
010 2019004375
016 |z019210833 (print)
019 1079759092|a1080195755|a1113533510
020 9781501319303|q(electronic book)
020 1501319302|q(electronic book)
020 9781501319297|q(electronic book)
020 1501319299|q(electronic book)
020 9781501319310|q(electronic book)
020 1501319310|q(electronic book)
020 |z9781501319273|q(hardcover|qalkaline paper)
020 |z9781501319280|q(paperback)
020 |z1501319280|q(paperback)
020 |z1501319272|q(hardcover)
024 7 10.5040/9781501319310|2doi
035 (OCoLC)1080081749|z(OCoLC)1079759092|z(OCoLC)1080195755
|z(OCoLC)1113533510
040 DLC|beng|erda|epn|cDLC|dN$T|dEBLCP|dYDXIT|dYDX|dOCLCF|dIBI
|dYDX|dBLOOM|dOCLCQ|dYDX|dOCLCQ|dOCL|dNLW|dOCLCO
042 pcc
049 RIDW
050 10 ML3918.P67|bK75 2019
072 7 ARC|x011000|2bisacsh
082 00 725/.8109|223
084 21.71|2bcl
090 ML3918.P67|bK75 2019
100 1 Kronenburg, Robert,|0https://id.loc.gov/authorities/names/
nr95027748|eauthor.
245 10 This must be the place :|ban architectural history of
popular music performance venues /|cRobert Kronenburg.
264 1 New York, NY :|bBloomsbury Academic,|c2019.
264 4 |c©2019
300 1 online resource (xviii, 304 pages) :|billustrations
(some color)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
504 Includes bibliographical references and index.
505 0 Introduction. Popular music, architecture and the home --
Music halls, variety and vaudeville -- Juke joints and
honky tonks -- Jazz clubs, social clubs and riverboats --
Cabaret, speakeasies and supper clubs -- Pleasure gardens,
ballrooms and dance halls -- Pubs, barrooms and coffee
bars -- Theatres, halls and auditoria -- Festival stages
and travelling sets -- Arenas -- Record scenes --
Conclusion. The significance and value of popular music
venues.
520 "This Must Be The Place is the first architectural history
of popular music performance space, describing its
beginnings, its different typologies, and its development
into a distinctive genre of building design. It examines
the design and form of popular music architecture and
charts how it has been developed in ad-hoc ways by non-
professionals such as building owners, promoters, and the
musicians themselves as well as professionally by
architects, designers, and construction specialists. With
a primary focus on Europe and North America (and
excursions to Australia, the Far East and South America),
it explores audience experience and how venues have
influenced the development of different musical scenes.
From music halls and Vaudeville in the 1800s, via the
seminal clubs and theatres of the 20th century, to the
large-scale multi-million-dollar arena concerts of today,
this book explores the impact that the use of private and
public space for performance has on our cities' urban
identity, and, to a lesser extent, how rural space is
perceived and used. Like architecture, popular music is
neither static nor standardized; it continuously develops
and has multiple strands. This Must Be The Place describes
the factors that have determined the development of music
venue architecture, focusing on both famous and less well-
known examples from the smallest bar room music space to
the largest stadium-filling rock set."--Bloomsbury
Publishing.
532 0 Compliant with Level AA of the Web Content Accessibility
Guidelines. Content is displayed as HTML full text which
can easily be resized or read with assistive technology,
with mark-up that allows screen readers and keyboard-only
users to navigate easily.
588 0 Online resource; title from digital title page (viewed on
December 11, 2019).
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Popular music|0https://id.loc.gov/authorities/subjects/
sh85088865|xSocial aspects|0https://id.loc.gov/authorities
/subjects/sh00002758|xHistory.|0https://id.loc.gov/
authorities/subjects/sh99005024
650 0 Music-halls|0https://id.loc.gov/authorities/subjects/
sh85088909|xHistory.|0https://id.loc.gov/authorities/
subjects/sh99005024
650 0 Ballrooms|0https://id.loc.gov/authorities/subjects/
sh90000468|xHistory.|0https://id.loc.gov/authorities/
subjects/sh99005024
650 0 Bars (Drinking establishments)|0https://id.loc.gov/
authorities/subjects/sh93000452|xHistory.|0https://
id.loc.gov/authorities/subjects/sh99005024
650 0 Nightclubs|0https://id.loc.gov/authorities/subjects/
sh2001000101|xHistory.|0https://id.loc.gov/authorities/
subjects/sh99005024
650 0 Music and architecture.|0https://id.loc.gov/authorities/
subjects/sh85088882
650 7 Popular music|xSocial aspects.|2fast|0https://
id.worldcat.org/fast/1071460
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
650 7 Popular music.|2fast|0https://id.worldcat.org/fast/1071422
650 7 Music-halls.|2fast|0https://id.worldcat.org/fast/1030671
650 7 Ballrooms.|2fast|0https://id.worldcat.org/fast/826185
650 7 Bars (Drinking establishments)|2fast|0https://
id.worldcat.org/fast/827779
650 7 History of architecture.|2bicssc
650 7 Nightclubs.|2fast|0https://id.worldcat.org/fast/1037674
650 7 Music reviews & criticism.|2bicssc
650 7 Music and architecture.|2fast|0https://id.worldcat.org/
fast/1030470
650 7 ARCHITECTURE|xBuildings|xPublic, Commercial & Industrial.
|2bisacsh
650 7 Theater architecture.|2fast|0https://id.worldcat.org/fast/
1149322
653 0 Venues
655 4 Electronic books.
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
776 08 |iPrint version:|aKronenburg, Robert.|tThis must be the
place.|dNew York, NY : Bloomsbury Academic, 2019
|z9781501319273|w(DLC) 2019003772
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=1987019|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d202207013|cEBSCO|tEBSCOebooksacademic July NEW 6029
|lridw
994 92|bRID
