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LEADER 00000cam a2200673Ii 4500 
001    ocn797822440 
003    OCoLC 
005    20160527041523.3 
006    m     o  d         
007    cr cn||||||||| 
008    111116t20122012caua    ob    001 0 eng d 
020    9780804782623|q(electronic bk.) 
020    0804782628|q(electronic bk.) 
020    0804778310 
020    9780804778312 
020    |z9780804778312 
035    (OCoLC)797822440 
040    E7B|beng|erda|epn|cE7B|dOCLCF|dDKDLA|dN$T|dGZM|dOTZ|dOCLCQ
       |dCOO|dYDXCP|dOCLCQ|dOCL 
043    a-cc-pe 
049    RIDW 
050  4 ML1751.C58|bG65 2012eb 
072  7 MUS|x042000|2bisacsh 
072  7 MUS|x052000|2bisacsh 
072  7 MUS|x037110|2bisacsh 
082 04 782.10951/156|223 
090    ML1751.C58|bG65 2012eb 
100 1  Goldman, Andrea S.|q(Andrea Sue) 
245 10 Opera and the city :|bthe politics of culture in Beijing, 
       1770-1900 /|cAndrea S. Goldman. 
246 30 Politics of culture in Beijing, 1770-1900 
264  1 Stanford, California :|bStanford University Press,|c[2012]
264  4 |c©2012 
300    1 online resource (xv, 365 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references (pages 333-351) and 
       index. 
505 0  Opera aficionados and guides to boy-actresses -- 
       Metropolitan opera, border crossings, and the state -- 
       Musical genre, opera hierarchy, and court patronage -- 
       Social melodrama and the sexing of political complaint -- 
       Sex versus violence in "I, sister-in-law" operas. 
520 8  In late imperial China, opera was an integral part of life
       and culture, shared across the social hierarchy. Opera 
       transmitted ideas about the self, family, society, and 
       politics over time and space. The Qing capital of Beijing 
       attracted a diverse array of opera genres and audiences 
       and, by extension, served as a hub for the diffusion of 
       cultural values via performance. It is in this context 
       that the author harnesses opera as a lens through which to
       examine urban cultural history. By examining opera in Qing
       Beijing, this work illuminates how the state and various 
       urban constituencies partook of opera and manipulated it 
       to their own ends. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 1700-1899|2fast 
650  0 Operas, Chinese|xHistory and criticism. 
650  0 Operas, Chinese|xSocial aspects|zChina|zBeijing. 
650  0 Operas, Chinese|xPolitical aspects|zChina|zBeijing. 
650  0 Operas, Chinese|zChina|zBeijing|xHistory and criticism. 
651  0 Beijing (China)|xIntellectual life|y18th century. 
651  0 Beijing (China)|xIntellectual life|y19th century. 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
776 08 |iPrint version:|aGoldman, Andrea S. (Andrea Sue).|tOpera 
       and the city.|dStanford, California : Stanford University 
       Press, [2012]|z9780804778312|w(DLC)  2011047716
       |w(OCoLC)762768547 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=713472|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
948    |d20160607|cMH|tebscoebooksacademic|lridw 
994    92|bRID