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LEADER 00000cam a22007338i 4500 
001    on1010505215 
003    OCoLC 
005    20200717185010.4 
006    m     o  d         
007    cr ||||||||||| 
008    171102s2018    ne      ob    001 0 eng   
010      2017053008 
020    9789004358812|q(electronic book) 
020    9004358811|q(electronic book) 
020    |z9789004353213|q(hardback ;|qalkaline paper) 
035    (OCoLC)1010505215 
040    DLC|beng|erda|epn|cDLC|dOCLCO|dOCLCF|dOCLCQ|dN$T|dYDX|dUAB
       |dEBLCP|dOCLCA|dOCLCQ|dINT|dOCLCQ|dUPM|dOCLCQ 
042    pcc 
043    el----- 
049    RIDW 
050 10 N8600 
072  7 ART|x000000|2bisacsh 
082 00 701/.03|223 
090    N8600 
100 1  Raux, Sophie,|0https://id.loc.gov/authorities/names/
       nr95000108|eauthor. 
245 10 Lotteries, art markets, and visual culture in the Low 
       Countries, 15th-17th centuries /|cby Sophie Raux. 
263    1802 
264  1 Leiden ;|aBoston :|bBrill,|c2018. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
347    text file|2rdaft 
490 1  Studies in the history of collecting & art markets ;
       |vVolume 4 
504    Includes bibliographical references and index. 
505 0  Intro; Contents; Acknowledgements; List of Figures and 
       Tables; List of Abbreviations; Introduction; Chapter 1 
       Origin and Typology of Lotteries in the Low Countries; 1 
       Historical and Historiographical Context; 1.1 An Invention
       Linked to a Boom in Risk and Speculation; 1.2 From the 
       Burgundian Netherlands to Italy: Rapid Expansion Across 
       Urban Europe; 1.3 Towards More Material Prizes; 2 Lottery 
       Typology in the Sixteenth-Century Netherlands; 2.1 Public-
       Utility Lotteries Held by Civil or Religious Institutions;
       2.2 State Lotteries for the Common Good. 
505 8  2.3 Lotteries of Private Entrepreneurs for Commercial 
       Ends3 The Upsurge in Commercial Lotteries; 3.1 "Secret" 
       Closed-Circle Lotteries: The Abuses of the 1520s; 3.2 
       Occasional Lotteries by Specialist Dealers: Tapestries, 
       Paintings, Alabasters, Jewelry; 3.3 International Traders 
       and Lottery Entrepreneurs; Chapter 2 The Machinery of 
       Success: Expert Valuation-Exhibition-Draw; 1 Building 
       Trust; 1.1 A Transparent Procedure; 1.2 Expert Valuation 
       Procedures; 2 Make Known, Make Seen: The Visual Means of 
       Mediatization; 2.1 Public Exhibitions; 2.2 A Fanfare of 
       Visual Communication. 
505 8  3 Theatralization: The Public Draw as Urban 
       SpectacleChapter 3 Visualizing the Material and Moral 
       Stakes of Institutional Lotteries; 1 Illustrated Posters: 
       A Feature of the Visual Culture of the Low Countries; 1.1 
       From brieven van de lotinghe to loterijkaarten; 1.2 Of 
       German Origin?; 1.3 Expressing the Hierarchy of Object 
       Values Through Image and Text; 2 Exploiting the Image's 
       Power of Persuasion; 2.1 The "Portrait of the Prizes"; 2.2
       Interaction between Iconicity and Textuality; 2.3 
       Combining the Appeal to Good Intentions with the Lure of 
       Profit. 
505 8  3 Theatralization and Dramatization: The Human Impact3.1 
       Isaac Claesz. van Swanenburgh's Poster for the Leiden 
       Lottery (1596); 3.2 The Posters of Claes Jansz. Visscher: 
       Playing with Reduplication; 3.3 Uses of the Poster as 
       Image and the Poster as Object; Chapter 4 Lottery Posters 
       and Booklets: The Role of Print in Structuring the Art 
       Worlds; 1 Lottery Posters in the United Provinces; 1.1 
       Picturing Diversity, Novelty, and Luxury: The Lotteries of
       Hulst (1659-1660) and Terschelling (1666); 1.2 The Victory
       of the Object: The Durgerdam Lottery Poster (1688). 
505 8  1.3 Demise of the Image: The Grootebroek Lottery Poster 
       (1694-1695)1.4 Commercial Lottery Posters: The Importance 
       of the Painter's Name; 2 Booklets and Catalogues: New 
       Tools of Mediation and Encouragement to Gamble; 2.1 Arent 
       van Gorp's Lottery in IJsselstein (Utrecht) in 1651; 2.2 
       Henry van Soest's Lottery at the Antwerp Stock Exchange 
       (1695); 2.3 The Primacy of Market Value and Novelty; 3 A 
       New Image of the Art Trade and Material Pleasure; 3.1 A 
       Model for Gersaint?; 3.2 From Lottery Catalogue to Sales 
       Catalogue; 3.3 Lotteries and Material Culture. 
520 8  The book examines the lotteries as devices for 
       distributing images and art objects, and constructing 
       their value in the former Low Countries. Alongside the 
       fairs and before specialist auction sales were established,
       they were an atypical but popular and large-scale form of 
       the art trade. As part of a growing entrepreneurial 
       sensibility based on speculation and a sense of risk, they
       lay behind many innovations. This study looks at their 
       actors, networks and strategies. It considers the objects 
       at stake, their value, and the forms of visual 
       communication intended to boost an appetite for ownership.
       Ultimately, it contemplates how the lottery culture 
       impacted notions of Fortune and Vanitas in the visual 
       arts. 
588 0  Print version record and CIP data provided by publisher; 
       resource not viewed. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Art|xEconomic aspects|0https://id.loc.gov/authorities/
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       id.loc.gov/authorities/subjects/sh85013135-781|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh99005024 
650  0 Lotteries|0https://id.loc.gov/authorities/subjects/
       sh85078455|zBenelux countries|0https://id.loc.gov/
       authorities/subjects/sh85013135-781|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh99005024 
650  0 Art|xCollectors and collecting|0https://id.loc.gov/
       authorities/subjects/sh85007472|zBenelux countries|0https:
       //id.loc.gov/authorities/subjects/sh85013135-781|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh99005024 
650  0 Art and society|0https://id.loc.gov/authorities/subjects/
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       authorities/subjects/sh85013135-781|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh99005024 
650  7 Art|xEconomic aspects.|2fast|0https://id.worldcat.org/fast
       /815231 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Lotteries.|2fast|0https://id.worldcat.org/fast/1002676 
650  7 Art|xCollectors and collecting.|2fast|0https://
       id.worldcat.org/fast/815195 
650  7 Art and society.|2fast|0https://id.worldcat.org/fast/
       815432 
651  7 Benelux countries.|2fast|0https://id.worldcat.org/fast/
       1242373 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aRaux, Sophie.|tLotteries, art markets, 
       and visual culture in the Low Countries, 15th-17th 
       centuries.|dLeiden ; Boston : Brill, 2018|z9789004353213
       |w(DLC)  2017052532 
830  0 Studies in the history of collecting & art markets ;
       |0https://id.loc.gov/authorities/names/no2017060351
       |vVolume 4. 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1742228|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948 00 |d20200727|cEBSCO|tEBSCOebooksacademic NEW June-July 17 
       7032|lridw 
994    92|bRID