LEADER 00000cam a2200769 i 4500 001 on1120907181 003 OCoLC 005 20220114043859.0 006 m o d 007 cr cnu---unuuu 008 190912s2020 ne a ob 001 0 eng 010 2019026934 020 9004410244|q(electronic book) 020 9789004410244|q(electronic book) 020 |z9789004410237|q(hardcover|qacid-free paper) 035 (OCoLC)1120907181 040 DLC|beng|erda|epn|cDLC|dOCLCO|dEBLCP|dOCLCQ|dOCLCF|dYDX |dOCLCO|dOCLCQ|dN$T|dOCLCO 042 pcc 043 e-uk-en 049 RIDW 050 04 Z330.3.E5|bS56 2020 082 00 381/.450020942|223 090 Z330.3.E5|bS56 2020 100 1 Silva, Andie,|d1984-|0https://id.loc.gov/authorities/names /n2019055856|eauthor. 245 14 The brand of print :|bmarketing paratexts in the early English book trade /|cby Andie Silva. 264 1 Leiden ;|aBoston :|bBrill,|c[2020] 300 1 online resource (250 pages). 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 340 |gpolychrome|2rdacc 347 text file|2rdaft 490 1 Library of the written word,|x1874-4834 ;|vvolume 76 490 1 The handpress world ;|vvolume 58 504 Includes bibliographical references and index. 505 0 Intro; The Brand of Print: Marketing Paratexts in the Early English Book Trade; Copyright; Contents; Acknowledgements; List of Illustrations; Abbreviations; Transcription and Editorial Practice; Introduction; 1 ""In Sundry Hands"": Patronage, Human Capital, and Print Agents as Tastemakers; 1 Cultural Capital and Luxury Consumption; 2 ""My Present a Book; 3 Quality Control; 4 Devotion as Prestigious Brand Identity; 5 Exclusive Popularity; 2 ""Read, Reape, and Returne"": Emotional Branding and the Profit of Reading; 1 Affective Marketing and Labour as Capital 505 8 2 ""My Paines and Charges"": Articulating the Labour of the Press3 ""Purchase Praise"": Richard Jones's Brand Personality; 3 ""Before thou begynneth to read"": Visual Consumption as Brand; 1 The Structure of Protestant Devotion; 2 Adam Islip's Visual Signposting and Multimodal Designs; 3 Thomas Archer's Visual Branding Strategies; 4 ""An Instrument of Iron"": Commodifying Gender and Devotion with Emotional Capital in Queen Elizabeth's A Godly Meditation of the Soul; 1 Gendered Commodities: Religious and Emotional Capital; 2 Bale's 1548 Edition: Commodifying the Religious Experience 505 8 3 Religious Identity and Self-Marketing: James Cancellar's 1580 Edition4 Religion in the Household: Thomas Bentley's Monument of Matrons; 5 Seventeenth-Century Markets: The Capital of Household Devotion; 5 ""Printed in Utopia"": Marketing Genre across a Century; 1 Cultural Branding and Utopia; 2 Creating a National Brand: Abraham Vele, Thomas Creede, and Bernard Alsop's Editions; 3 Generic Cultural Branding; 6 Immaterial Labour, Mass Intellectuality, and the New Digital Agents; 1 Researching Paratexts and Print Agents; 2 Immaterial Labour, User-Experiences, and Credit Structures; Conclusion. 520 "The Brand of Print offers a comprehensive analysis of the ways printers, publishers, stationers, and booksellers designed paratexts to market printed books as cultural commodities. This study traces envoys to the reader, visual design in title pages and tables of contents, and patron dedications, illustrating how the agents of print branded their markets by crafting relationships with readers and articulating the value of their labor in an increasingly competitive trade. Applying terms from contemporary marketing theory to the study of early modern paratexts, Andie Silva encourages a consideration of how print agents' labor and agency, made visible through paratextual design, continues to influence how we read, study, and digitize early modern texts"--|cProvided by publisher. 588 0 Online resource; title from digital title page (viewed on November 12, 2019). 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 648 7 16th century|2fast 648 7 17th century|2fast 648 7 1500-1699|2fast 650 0 Book industries and trade|0https://id.loc.gov/authorities/ subjects/sh85015617|zEngland|0https://id.loc.gov/ authorities/names/n82068148-781|xHistory|y16th century. |0https://id.loc.gov/authorities/subjects/sh2002006122 650 0 Book industries and trade|0https://id.loc.gov/authorities/ subjects/sh85015617|zEngland|0https://id.loc.gov/ authorities/names/n82068148-781|xHistory|y17th century. |0https://id.loc.gov/authorities/subjects/sh2002006123 650 0 Paratext|0https://id.loc.gov/authorities/subjects/ sh2006003881|zEngland|0https://id.loc.gov/authorities/ names/n82068148-781|xHistory.|0https://id.loc.gov/ authorities/subjects/sh99005024 650 0 Books|0https://id.loc.gov/authorities/subjects/sh85015738 |zEngland|0https://id.loc.gov/authorities/names/n82068148- 781|xMarketing|0https://id.loc.gov/authorities/subjects/ sh99005342|xHistory.|0https://id.loc.gov/authorities/ subjects/sh99005024 650 7 Book industries and trade.|2fast|0https://id.worldcat.org/ fast/836171 650 7 History.|2fast|0https://id.worldcat.org/fast/958235 650 7 Paratext.|2fast|0https://id.worldcat.org/fast/1741298 650 7 Books.|2fast|0https://id.worldcat.org/fast/836401 650 7 Marketing.|2fast|0https://id.worldcat.org/fast/1010167 650 7 Books|xMarketing.|2fast|0https://id.worldcat.org/fast/ 836426 651 7 England.|2fast|0https://id.worldcat.org/fast/1219920 655 4 Electronic books. 655 7 History.|2fast|0https://id.worldcat.org/fast/1411628 776 08 |iPrint version:|aSilva, Andie, 1984-|tBrand of print. |dLeiden ; Boston : Brill, [2019]|z9789004410237|w(DLC) 2019026933 830 0 Library of the written word ;|0https://id.loc.gov/ authorities/names/no2007139859|v76. 830 0 Library of the written word.|pHandpress world ;|0https:// id.loc.gov/authorities/names/no2007139860|v58. 856 40 |uhttps://rider.idm.oclc.org/login?url=https:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=2266996|zOnline ebook via EBSCO. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading the EBSCO version of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20220127|cEBSCO|tEBSCOebooksacademic NEW 6019|lridw 994 92|bRID