LEADER 00000cam a2200697Ki 4500 
001    ocn994883243 
003    OCoLC 
005    20190111050745.8 
006    m     o  d         
007    cr cnu---unuuu 
008    170726s2017    ohu     ob   s001 0 eng d 
020    9780821446034|q(electronic book) 
020    0821446037|q(electronic book) 
020    |z9780821422717 
020    |z0821422715 
020    |z0821446037 
035    (OCoLC)994883243 
040    N$T|beng|erda|epn|cN$T|dYDX|dEBLCP|dMERUC|dUAB|dOCLCA
       |dOCLCQ|dOCLCF|dOCLCQ 
043    n-us-oh 
049    RIDW 
050  4 NB237.O42|bA64 2017eb 
072  7 ART|x026000|2bisacsh 
082 04 730.92|223 
084    ART015110|2bisacsh 
090    NB237.O42|bA64 2017eb 
100 1  Olszewski, Edward J.,|d1937-|0https://id.loc.gov/
       authorities/names/n79147916|eauthor. 
245 10 Claes Oldenburg and Coosje van Bruggen, Cleveland's Free 
       Stamp /|cEdward J. Olszewski. 
264  1 Athens, Ohio :|bOhio University Press,|c2017. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Illustrations; Preface; Acknowledgments; Introduction; 1 
       Sohio, Free Stamp, and BP; 2 The Artists; 3 Sculptural 
       Collaborations; 4 Rejection and Recuperation; 5 The Legal 
       Issue; 6 Impasse; 7 Other Voices, Other Rooms; 8 Rejected 
       Sculpture; 9 An Early Apologetic; 10 Pop Art; 11 
       Formalism; 12 A Meeting of Minds; 13 Fabrication; 14 The 
       Final Phase; 15 Public Art; 16 Re: Locations; 17 The 
       Sketches; 18 How Stamps Function; 19 Construction of a 
       Hand Stamp; 20 Space in Time; 21 Cognition; 22 Events 
       Postinstallation; Postscript. 
505 8  Appendix A: Petition Letter of September 15, 1989, to Mr. 
       James H. RossAppendix B: Ordinance No. 1320-85, May 22, 
       1985; Chronology; Notes; Bibliography; Index. 
520    "In 1985, the Sohio oil company commissioned Claes 
       Oldenburg and Coosje van Bruggen to design and construct a
       large outdoor sculpture for its new corporate headquarters
       in Cleveland, Ohio. The result was Free Stamp, a bold and 
       distinctive installation that captured both a Pop Art 
       sensibility and a connection to the city's industrial 
       past. Sohio executives approved the design, and work was 
       already underway, when British Petroleum acquired the 
       company. The new owners quickly decided that the sculpture
       was "inappropriate" for their building and attempted to 
       rid themselves of Free Stamp by donating it to the city of
       Cleveland--a gift that the city initially had no desire to
       accept. After much debate and public protest, the 
       sculpture found a home in Willard Park, where it stands 
       today. This is the first study of any sculpture by 
       Oldenburg and van Bruggen to examine the genesis of their 
       art from conception to installation. Edward J. Olszewski 
       has put together a fascinating narrative based on 
       interviews with the artists, archival material from city 
       records, and in-house corporate memoranda, as well as 
       letters to the editor and political cartoons. He traces 
       the development of the sculpture from the artists' first 
       sketches and models to the installation of the completed 
       work in its urban environment"--|cProvided by publisher. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Oldenburg, Claes,|d1929-2022.|tFree stamp.|0https://
       id.loc.gov/authorities/names/n2017027622 
600 10 Oldenburg, Claes,|d1929-2022|0https://id.loc.gov/
       authorities/names/n80037028|xCriticism and interpretation.
       |0https://id.loc.gov/authorities/subjects/sh99005576 
600 10 Bruggen, Coosje van|0https://id.loc.gov/authorities/names/
       n78009128|xCriticism and interpretation.|0https://
       id.loc.gov/authorities/subjects/sh99005576 
600 17 Oldenburg, Claes,|d1929-2022.|2fast|0https://
       id.worldcat.org/fast/52404 
600 17 Bruggen, Coosje van.|2fast|0https://id.worldcat.org/fast/
       22326 
650  0 Outdoor sculpture|0https://id.loc.gov/authorities/subjects
       /sh85096154|zOhio|zCleveland.|0https://id.loc.gov/
       authorities/names/n79086863-781 
650  0 Public sculpture|0https://id.loc.gov/authorities/subjects/
       sh85108808|zOhio|zCleveland.|0https://id.loc.gov/
       authorities/names/n79086863-781 
650  7 Criticism and interpretation.|2fast|0https://
       id.worldcat.org/fast/1198648 
650  7 Outdoor sculpture.|2fast|0https://id.worldcat.org/fast/
       1049210 
650  7 Public sculpture.|2fast|0https://id.worldcat.org/fast/
       1083015 
651  7 Ohio|zCleveland.|2fast|0https://id.worldcat.org/fast/
       1205966 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
776 08 |iPrint version:|aOlszewski, Edward J., 1937-|tClaes 
       Oldenburg and Coosje van Bruggen, Cleveland's Free Stamp.
       |dAthens, Ohio : Ohio University Press, 2017
       |z9780821422717|w(DLC)  2017023507|w(OCoLC)959273913 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1561273|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20190118|cEBSCO|tEBSCOebooksacademic NEW 1-11-19 6702 
       |lridw 
994    92|bRID