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Author Berger, Maurice, 1956-2020.

Title For all the world to see : visual culture and the struggle for civil rights / Maurice Berger ; foreword by Thulani Davis.

Publication Info. New Haven : Yale University Press, [2010]
©2010

Item Status

Location Call No. Status OPAC Message Public Note Gift Note
 Moore Stacks  NX180.S6 B47 2010    Available  ---
Description xv, 207 pages : illustrations (some color) ; 26 cm
Note "In collaboration with: Center for Art, Design and Visual Culture, University of Maryland Baltimore County, National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C."
Related exhibition held at the International Center of Photography, New York, May 21-Sept. 12, 2010.
Contents Introduction: weapons of choice -- It keeps on rollin' along: the status quo -- The new "new Negro": the culture of positive images -- Plates -- "Let the world see what I've seen": evidence and persuasion -- Guess who's coming to dinner: broadcasting race -- Epilogue: in our lives we are whole: the pictures of everyday life.
Summary In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures, millions of points of light, millions of potent weapons that forever changed a nation. This book allows us to see and understand the crucial role that visual culture played in forever changing a nation.
Bibliography Includes bibliographical references and index.
Subject Race relations in art -- Exhibitions.
Art and race -- Exhibitions.
Art and race.
Civil rights movements -- United States -- Exhibitions.
Civil rights movements.
United States.
Civil rights movements -- United States -- Pictorial works -- Exhibitions.
Genre/Form Pictorial works.
Subject African Americans in art -- Exhibitions.
African Americans in art.
African Americans in mass media -- Exhibitions.
African Americans in mass media.
Mass media -- Social aspects -- United States -- Exhibitions.
Mass media -- Social aspects.
Genre/Form Exhibition catalogs.
Exhibition catalogs.
Illustrated works.
Illustrated works.
Added Author International Center of Photography.
ISBN 9780300121315 hardback
0300121318 hardback