LEADER 00000cam a2200889La 4500 
001    ocn311228692 
003    OCoLC 
005    20160527040626.4 
006    m     o  d         
007    cr cnu---unuuu 
008    080314s2008    enka    ob    001 0 eng d 
016 7  |z014595358|2Uk 
019    310698711|a476244632|a610553160|a646767180|a756884984
       |a815736727 
020    0191552720|q(electronic book) 
020    9780191552724|q(electronic book) 
020    1281825565 
020    9781281825568 
020    |z0199233055|q(Cloth) 
020    |z9780199233052 
035    (OCoLC)311228692|z(OCoLC)310698711|z(OCoLC)476244632
       |z(OCoLC)610553160|z(OCoLC)646767180|z(OCoLC)756884984
       |z(OCoLC)815736727 
040    QE2|beng|epn|cQE2|dOCLCQ|dN$T|dE7B|dVT2|dOCLCQ|dYDXCP
       |dOCLCQ|dIDEBK|dMERUC|dDKDLA|dOCLCO|dOCLCQ|dOCLCA|dOCLCQ
       |dOCLCO|dOCLCF|dEBLCP|dMHW|dOCLCQ 
043    e-uk-en|ae-it--- 
049    RIDW 
050  4 PR4487.A75|bP35 2008eb 
072  7 POE|x005020|2bisacsh 
072  7 ACV|2bicssc 
082 04 821/.7 22|222 
090    PR4487.A75|bP35 2008eb 
100 1  Paley, Morton D.|0https://id.loc.gov/authorities/names/
       n50051779 
245 10 Samuel Taylor Coleridge and the fine arts /|cMorton D. 
       Paley. 
264  1 Oxford, UK :|bOxford University Press,|c2008. 
300    1 online resource (xiv, 276 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
377  7 |lArt language|2lcsh 
504    Includes bibliographical references and index. 
505 0  Initiation -- Italy -- What Coleridge saw -- Allston redux
       -- Coleridge on the fine arts -- The principles common to 
       the fine arts. 
520    In a fascinating account of picture collections in the 
       early 19th century through the eyes of a great English 
       poet, Morton Paley tells the story of Coleridge's 
       initiation into art in England, and his further 
       exploration in Rome. He describes the collections 
       Coleridge saw and his thoughts about the arts and about 
       specific works. - ;Although Coleridge's thinking and 
       writing about the fine arts was both considerable and 
       interesting, this has not been the subject of a book 
       before. Coleridge owed his initiation into art to Sir 
       George Beaumont. In 1803-4 he had frequent opportunities 
       to learn from B. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Allston, Washington,|d1779-1843.|0https://id.loc.gov/
       authorities/names/n80010033 
600 10 Beaumont, George Howland,|cSir,|d1753-1827.|0https://
       id.loc.gov/authorities/names/n86061846 
600 10 Coleridge, Samuel Taylor,|d1772-1834|0https://id.loc.gov/
       authorities/names/n78095462|xAesthetics.|0https://
       id.loc.gov/authorities/subjects/sh99002256 
600 10 Coleridge, Samuel Taylor,|d1772-1834|0https://id.loc.gov/
       authorities/names/n78095462|xKnowledge and learning|0https
       ://id.loc.gov/authorities/subjects/sh2002011409|vArt.
       |0https://id.loc.gov/authorities/subjects/sh99001267 
600 10 Coleridge, Samuel Taylor,|d1772-1834|0https://id.loc.gov/
       authorities/names/n78095462|xRelations with artists. 
600 10 Coleridge, Samuel Taylor,|d1772-1834|0https://id.loc.gov/
       authorities/names/n78095462|xTravel|0https://id.loc.gov/
       authorities/subjects/sh99005039|zItaly.|0https://
       id.loc.gov/authorities/names/n79021783-781 
600 14 Coleridge, Samuel Taylor,|d1772-1834|vArt|xKnowledge. 
600 17 Allston, Washington,|d1779-1843.|2fast|0https://
       id.worldcat.org/fast/49302 
600 17 Beaumont, George Howland,|cSir,|d1753-1827.|2fast|0https:/
       /id.worldcat.org/fast/207892 
600 17 Coleridge, Samuel Taylor,|d1772-1834.|2fast|0https://
       id.worldcat.org/fast/29081 
648  7 19th century|2fast 
648  7 1800 - 1899|2fast 
650  0 Art and literature|zEngland|xHistory|y19th century.|0https
       ://id.loc.gov/authorities/subjects/sh2009115665 
650  0 Art appreciation|0https://id.loc.gov/authorities/subjects/
       sh85007980|zEngland|0https://id.loc.gov/authorities/names/
       n82068148-781|xHistory|y19th century.|0https://id.loc.gov/
       authorities/subjects/sh2002006167 
650  7 Aesthetics.|2fast|0https://id.worldcat.org/fast/798702 
650  7 Relations with artists.|2fast|0https://id.worldcat.org/
       fast/1354327 
650  7 Travel.|2fast|0https://id.worldcat.org/fast/1155558 
650  7 Art and literature.|2fast|0https://id.worldcat.org/fast/
       815400 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Art appreciation.|2fast|0https://id.worldcat.org/fast/
       815447 
651  7 Italy.|2fast|0https://id.worldcat.org/fast/1204565 
651  7 England.|2fast|0https://id.worldcat.org/fast/1219920 
655  4 Electronic books. 
655  7 Art.|2fast|0https://id.worldcat.org/fast/1423702 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
655  7 Art.|2lcgft|0https://id.loc.gov/authorities/genreForms/
       gf2017027218 
776 08 |iPrint version:|aPaley, Morton D.|tSamuel Taylor 
       Coleridge and the fine arts.|dOxford, UK : Oxford 
       University Press, 2008|w(DLC)  2008011594 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=259517|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d201606016|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID