General studies of the concerto genre -- More specialized studies -- Program notes -- Performance issues -- Concerto form as discussed by contemporary theorists and critics -- Contemporaneous critics, historians, and writers -- Contemporaneous theorists -- Composers and their concertos -- Index of authors and their entries -- Index of subjects.
Summary
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Local Note
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