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LEADER 00000cam a2200685 a 4500 
001    ocn730501998 
003    OCoLC 
005    20240126125653.0 
006    m     o  d         
007    cr cnu---unuuu 
008    110614s2010    enk     ob    001 0 eng d 
010    |z  2009033958 
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020    9780754695950|q(electronic bk.) 
020    0754695956|q(electronic bk.) 
020    1282385348 
020    9781282385344 
020    1351154826 
020    9781351154826 
020    9786612385346 
020    6612385340 
020    |z9780754669029 
020    |z0754669025 
020    1003063454 
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049    RIDW 
050  4 PR6005.O4|bZ558 2010eb 
072  7 LIT|x004120|2bisacsh 
072  7 DS|2bicssc 
082 04 823/.912|222 
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090    PR6005.O4|bZ558 2010eb 
100 1  Baxter, Katherine Isobel,|d1976-|1https://id.oclc.org/
       worldcat/entity/E39PCjMhrBFpCWrwrv6QGPYhgX 
245 10 Joseph Conrad and the swan song of romance /|cKatherine 
       Isobel Baxter. 
260    Farnham, England ;|aBurlington, VT :|bAshgate,|c©2010. 
300    1 online resource (163 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Cover; Contents; Abbreviations; Acknowledgements; 
       Introduction; Part 1: 'Heart of Darkness' and Lord Jim; 1 
       'Heart of Darkness' and the Modern Quest; 2 Lord Jim: 
       Other Words, Other Worlds; Part 2: Romance, Nostromo and 
       Chance; 3 Anti-Philosophical Romance; 4 Nostromo: Not the 
       Man; 5 Power, Gender and Laughter in Chance; Part 3: 
       Victory, The Rescue and The Rover; 6 Victory: 'Damned 
       Tricks' and Girls; 7 Theatre and Incomprehension in The 
       Rescue; 8 The Rover: Reconciliation of Sorts; Conclusion; 
       Bibliography; Index. 
520    In the first critical study wholly devoted to Joseph 
       Conrad's use of techniques associated with the literary 
       tradition of romance, Katherine Isobel Baxter argues that 
       Conrad's engagement with the genre invigorated his work 
       throughout his career. Exploring the ways in which Conrad 
       borrows from, alludes to, and subverts the tropes of 
       romance, Baxter suggests that Conrad's ambivalent 
       relationship with popular forms like the adventure novel 
       is revealed in the way he uses romance conventions to 
       disrupt narrative expectations and make visible ethical 
       problems with Europe's colonial project. Baxter e. 
546    English. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Conrad, Joseph,|d1857-1924|xTechnique. 
600 10 Conrad, Joseph,|d1857-1924|xKnowledge|vRomances. 
600 10 Conrad, Joseph,|d1857-1924|xKnowledge|xLiterary form. 
600 17 Conrad, Joseph,|d1857-1924|2fast|1https://id.oclc.org/
       worldcat/entity/E39PBJgmQXRHkVMwmGbV3WxVYP 
650  7 LITERARY CRITICISM|xEuropean|xEnglish, Irish, Scottish, 
       Welsh.|2bisacsh 
650  7 Literary form|2fast 
650  7 Technique|2fast 
650  7 Romances|2fast 
776 08 |iPrint version:|aBaxter, Katherine Isobel, 1976-|tJoseph 
       Conrad and the swan song of romance.|dFarnham, England ; 
       Burlington, VT : Ashgate, ©2010|z9780754669029|w(DLC)  
       2009033958|w(OCoLC)433549908 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=369876|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20240319|cEBSCO|tEBSCOebooksacademic NEW 1-26-24 6521
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948    |d20160616|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID