Skip to content
You are not logged in |Login  
     
Limit search to available items
Record:   Prev Next
Resources
More Information
Bestseller
BestsellerE-book
Author Newhoff, David, author.

Title Who invented Oscar Wilde? : the photograph at the center of modern American copyright / David Newhoff.

Publication Info. Lincoln : Potomac Books, University of Nebraska Press, [2020]
Baltimore, Md. : Project MUSE, 0000.

Item Status

Description 1 online resource
text file
Bibliography Includes bibliographical references and index.
Contents Prologue : Eidolons -- Dangerous Paradoxes -- Copyright in a Few Snapshots -- Stone Drawing -- The Mencken -- The Aesthetic Sham -- The "Death of Chatterton" Case -- The Girl (Boy) on the Tracks -- "The Apparatus Can't Mistake" -- Who Invented Oscar Wilde? -- The Wit of Macaulay v. Mickey Mouse -- Monkeys and Selfies and Monkey Selfies -- Inventing Monroe, Mao, Prince, et al. -- ARTificial Intelligence -- Who's Inventing the Future? -- Epilogue : Mirrors of Memory.
Summary In early 1882, before young Oscar Wilde embarked on his lecture tour across America, he posed for publicity photos taken by a famously eccentric New York photographer named Napoleon Sarony. Few would guess that one of those photographs would become the subject of the Supreme Court case that challenged copyright protection for all photography-a constitutional question that asked how a machine-made image could possibly be a work of human creativity. Who Invented Oscar Wilde? is a story about the nature of authorship and the "convenient fiction" we call copyright. While a seemingly obscure topic, copyright has been a hotly contested issue almost since the day the internet became publicly accessible. The presumed obsolescence of authorial rights in this age of abundant access has fueled a debate that reaches far beyond the question of compensation for authors of works. Much of the literature on the subject is either highly academic, highly critical of copyright, or both. With a light and balanced touch, David Newhoff makes a case for intellectual property law, tracing the concept of authorship from copyright's ancient beginnings to its adoption in American culture to its eventual confrontation with photography and its relevance in the digital age. Newhoff tells a little-known story that will appeal to a broad spectrum of interests while making an argument that copyright is an essential ingredient to upholding the principles on which liberal democracy is founded.
Local Note eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America
Subject Copyright -- United States -- Philosophy.
Copyright.
United States.
Philosophy.
Copyright -- Photographs -- United States.
Copyright -- Photographs.
Copyright -- Motion pictures -- United States.
Copyright -- Motion pictures.
Genre/Form Electronic books.
Electronic books.
Added Author Project Muse, distributor.
ISBN 9781640123885 (electronic book)
1640123881 (electronic book)
9781640123861 (electronic book)
9781640123878 (electronic book)
9781640121584 (hardback)
1640123865 (electronic book)
1640123873 (electronic book)