The answering voice : the beginnings of counterpoint

Parker, Alice, author.
Chicago: GIA Publications, Inc., 2014.

The art of counterpoint

Kitson, C. H. (Charles Herbert), 1874-1944.
Oxford : Clarendon Press; London : G. Cumberlege, [1950, 1924]
2d ed.

The art of counterpoint = Liber de arte contrapuncti

Tinctoris, Johannes, -1511.
[Place of publication not identified] : American Institute of Musicology, 1961.

Bach and the meanings of counterpoint

Yearsley, David Gaynor.
Cambridge ; New York : Cambridge University Press, 2002.

Bach : chorale harmonization and instrumental counterpoint

Boyd, Malcolm.
London : Kahn and Averill, 1999.

Bach's harmonic progressions : (one thousand examples)

Bach, Johann Sebastian, 1685-1750.
Philadelphia : O. Ditson : T. Presser, distributors, [1942]

Bach's instrumental counterpoint

Boyd, Malcolm.
London : Barrie & Rockliff, 1967.

Campion's works

Campion, Thomas, 1567-1620.
Oxford : The Clarendon press, 1909.

Contemporary harmony; romanticism through the twelve-tone row.

Ulehla, Ludmila, 1923-2009.
New York : Free Press, [1966]

Der Contrapunctus im 14. [i. e. vierzehnten] und 15. Jahrhundert : Untersuchungen zum Terminus, z. L

Sachs, Klaus-Jürgen.
Wiesbaden : Steiner, 1974.

Contrapuntal technique in the sixteenth century

Morris, R. O. (Reginald Owen), 1886-1948.
Oxford : The Clarendon Press, 1922.

Convertible counterpoint in the strict style

Taneev, Sergeĭ Ivanovich, 1856-1915.
Boston : B. Humphries, [1962]

Convertible counterpoint in the strict style.

Taneev, Sergeĭ Ivanovich, 1856-1915.
Boston : B. Humphries, [1962]

Counterpoint

Piston, Walter, 1894-1976.
New York : W. W. Norton & company, inc., [1947]

Counterpoint

Bridge, Frederick, 1844-1924.
London ; New York : Novello, Ewer and Co., [1878]

Counterpoint, a survey.

Rubbra, Edmund, 1901-1986.
London : Hutchinson University Library, [1960]

Counterpoint : a translation of Kontrapunkt

Schenker, Heinrich, 1868-1935.
New York : Schirmer Books ; London : Collier Macmillan, [1987]

Counterpoint; an introduction to polyphonic composition.

Kauder, Hugo, 1888-1972.
New York : Macmillan, 1960.

Counterpoint and harmony

Bairstow, Edward C. (Edward Cuthbert), 1874-1946.
London : MacMillan and Co., 1945.
2nd ed.

Counterpoint applied in the invention, fugue, canon and other polyphonic forms; an exhaustive treati

Goetschius, Percy, 1853-1943.
New York : Kalmus, [1902?]

Counterpoint applied in the invention, fugue, canon and other polyphonic forms; an exhaustive treati

Goetschius, Percy, 1853-1943.
New York : G. Schirmer, [1902]

Counterpoint : based on eighteenth-century practice

Kennan, Kent, 1913-2003.
Englewood Cliffs, N.J. : Prentice-Hall, [1987]
3rd ed.

Counterpoint, based on eighteenth century practice.

Kennan, Kent, 1913-2003.
Englewood Cliffs, N.J. : Prentice-Hall, 1959.

Counterpoint; based on eighteenth-century practice.

Kennan, Kent, 1913-2003.
Englewood Cliffs, N.J. : Prentice-Hall, [1972]
2d ed.

Counterpoint, composition, and musica ficta

Bent, Margaret.
New York : Routledge, 2002.

Counterpoint : fundamentals of music making

Thakar, Markand, 1955-
New Haven : Yale University Press, [1990]

Counterpoint : fundamentals of music making

Thakar, Markand, 1955-
New Haven [CT] : Yale University Press, ©1990.

Counterpoint in composition; the study of voice leading

Salzer, Felix.
New York : McGraw-Hill Book Co., [1969]

Counterpoint in the style of J.S. Bach

Benjamin, Thomas.
New York : Schirmer Books ; London : Collier Macmillan, [1986]

A counterpoint manual : fundamental techniques of polyphonic music writing

Kanitz, Ernest, 1894-1978.
Boston : C.C. Birchard, [1948]

Counterpoint: strict and free

Prout, Ebenezer, 1835-1909.
London : Augener Ltd., 1890.

Counterpoint, the polyphonic vocal style of the sixteenth century

Jeppesen, Knud, 1892-1974.
New York : Prentice-Hall, inc., 1939.

Counterpoint : the polyphonic vocal style of the sixteenth century

Jeppesen, Knud, 1892-1974.
New York : Dover Publications, 1992.

Counterpoints on a cantus firmus

Festa, Costanzo, -1545.
Madison, Wis. : A-R Editions, [1997]

Cours de contrepoint

Dupré, Marcel, 1886-1971.
Paris : A. Leduc, [1938]

The craft of modal counterpoint : a practical approach

Benjamin, Thomas.
New York : Routledge, 2005.
2nd ed.

The craft of modal counterpoint : a practical approach

Benjamin, Thomas.
New York : Routledge, 2005.
2nd ed.

Creative counterpoint.

Lieberman, Maurice.
Boston : Allyn and Bacon, 1966.

Direct approach to counterpoint in 16th century style.

Soderlund, Gustave Fredric, 1881-1972.
New York : F. S. Crofts, 1947.

Diskant und Kontrapunkt in der Musiktheorie des 12. bis 15. Jahrhunderts

Apfel, Ernst.
Wilhelmshaven : Heinrichshofen, 1982.

Double counterpoint and canon

Prout, Ebenezer, 1835-1909.
London : Augener, [1891?]

Double counterpoint and canon

Prout, Ebenezer, 1835-1909, author.
New York : Haskell House Publishers, 1969.
Second edition.

Eighteenth-century imitative counterpoint : music for analysis

New York : Appleton-Century-Crofts, [1969]

The essentials of counterpoint

Davis, Ferdinand.
Norman : University of Oklahoma Press, 1977.
2d ed.

Examples of Gregorian chant and other sacred music of the 16th century

Soderlund, Gustave Fredric, 1881-1972.
New York : Appleton-Century-Crofts, 1971.

Examples of Gregorian chant and works, by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc An

Soderlund, Gustave Fredric, 1881-1972.
New York : Appleton, Century, Crofts, [1965]
3d ed.

Examples of Gregorian chant and works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Ant

New York : Appleton-Century-Crofts, Inc., [1946]
3rd ed.

Exercises in elementary counterpoint

Goetschius, Percy, 1853-1943.
New York : G. Schirmer, [1910]

First year counterpoint (two and three voices)

Tapper, Thomas, 1864-1958.
Boston ; New York [etc.] : A. P. Schmidt, [1913]

Foundations of practical harmony & counterpoint

Morris, R. O. (Reginald Owen), 1886-1948.
London : Macmillan ; New York : St. Martin's Press, 1958.