LEADER 00000cam a2200961Ma 4500
001 ocn767952964
003 OCoLC
005 20160527040755.4
006 m o d
007 cr |n|||||||||
008 111205s2011 njua ob 001 0 eng d
019 775872928
020 081355103X|q(electronic book)
020 9780813551036|q(electronic book)
020 1283864606
020 9781283864602
020 |z9780813550619|q(hardcover ;|qalkaline paper)
020 |z0813550610|q(hardcover ;|qalkaline paper)
020 |z9780813550626|q(paperback ;|qalkaline paper)
020 |z0813550629|q(paperback ;|qalkaline paper)
035 (OCoLC)767952964|z(OCoLC)775872928
037 22573/ctt4jxhsc|bJSTOR
040 YDXCP|beng|epn|cYDXCP|dE7B|dN$T|dDKDLA|dOCLCQ|dCDX|dIDEBK
|dP@U|dJSTOR|dOCLCQ|dOCLCF|dOCLCO|dOCLCQ|dDEBSZ|dMHW
|dEBLCP|dMERUC|dCOO|dOCLCO|dOCLCQ|dOCLCO|dOCLCQ
043 n-us---|ae-uk---
049 RIDW
050 4 PN1995.9.F54|bS6855 2011
072 7 ART|x057000|2bisacsh
072 7 PER|x004040|2bisacsh
072 7 PER004010|2bisacsh
072 7 PER004050|2bisacsh
082 04 791.43/655|222
090 PN1995.9.F54|bS6855 2011
100 1 Stanfield, Peter,|d1958-|0https://id.loc.gov/authorities/
names/n2001024829
245 10 Maximum movies--pulp fictions :|bfilm culture and the
worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson
/|cPeter Stanfield.
264 1 New Brunswick, N.J. :|bRutgers University Press,|c[2011]
264 4 |c©2011
300 1 online resource (xiii, 227 pages) :|billustrations
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|2rdaft
504 Includes bibliographical references and index.
505 0 Introduction : yours till the boys come home -- Position
papers : in defense of pulp movies -- A genealogy of pulp
: Black mask to Mickey Spillane -- A world of small
insanities : the critical reception of Kiss me deadly --
American primitive : Samuel Fuller's pulp politics --
Authenticating pulp : Jim Thompson adaptations and neo-
noir -- Conclusion : hiding out in cinemas.
520 Maximum Movies--Pulp Fictions describes two worlds. One of
these worlds comprises a clutch of noisy, garish pulp
movies, pumped out for the grind houses at the end of the
urban exhibition chain by the studios' B-divisions and fly
-by-night independents. The other is occupied by critics,
intellectuals, cinephiles, and filmmakers who championed
the cause of these movies. Against the legitimate, and in
defense of the illegitimate, in an insolent and unruly
manner, they agitated for the recognition of lurid
sensational crime stories, war pictures, fast-paced
Westerns, thrillers, and gangste.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
600 10 Fuller, Samuel,|d1912-1997|0https://id.loc.gov/authorities
/names/n50016670|xCriticism and interpretation.|0https://
id.loc.gov/authorities/subjects/sh99005576
600 10 Spillane, Mickey,|d1918-2006|0https://id.loc.gov/
authorities/names/n50021194|xCriticism and interpretation.
|0https://id.loc.gov/authorities/subjects/sh99005576
600 10 Spillane, Mickey,|d1918-2006|0https://id.loc.gov/
authorities/names/n50021194|vFilm adaptations.|0https://
id.loc.gov/authorities/subjects/sh2010004769
600 10 Thompson, Jim,|d1906-1977|0https://id.loc.gov/authorities/
names/n84228684|xCriticism and interpretation.|0https://
id.loc.gov/authorities/subjects/sh99005576
600 10 Thompson, Jim,|d1906-1977|0https://id.loc.gov/authorities/
names/n84228684|vFilm adaptations.|0https://id.loc.gov/
authorities/subjects/sh2010004769
600 14 Spillane, Mickey,|d1918-2006|vFilm adaptations.
600 14 Thompson, Jim,|d1906-1977|vFilm adaptations.
600 17 Fuller, Samuel,|d1912-1997.|2fast|0https://id.worldcat.org
/fast/5228
600 17 Spillane, Mickey,|d1918-2006.|2fast|0https://
id.worldcat.org/fast/6910
600 17 Thompson, Jim,|d1906-1977.|2fast|0https://id.worldcat.org/
fast/137770
648 7 20th century|2fast
648 7 1900 - 1999|2fast
650 0 Film noir|xHistory and criticism.|0https://id.loc.gov/
authorities/subjects/sh2009125551
650 0 Film criticism|0https://id.loc.gov/authorities/subjects/
sh85088039|zUnited States|0https://id.loc.gov/authorities/
names/n78095330-781|xHistory|y20th century.|0https://
id.loc.gov/authorities/subjects/sh2002006165
650 0 Film criticism|0https://id.loc.gov/authorities/subjects/
sh85088039|zGreat Britain|0https://id.loc.gov/authorities/
names/n79023147-781|xHistory|y20th century.|0https://
id.loc.gov/authorities/subjects/sh2002006165
650 0 Detective and mystery stories|0https://id.loc.gov/
authorities/subjects/sh85037260|vFilm adaptations.|0https:
//id.loc.gov/authorities/subjects/sh2010004769
650 0 Detective and mystery stories, American|xHistory and
criticism.|0https://id.loc.gov/authorities/subjects/
sh2008102216
650 7 Criticism and interpretation.|2fast|0https://
id.worldcat.org/fast/1198648
650 7 Film noir.|2fast|0https://id.worldcat.org/fast/924273
650 7 Film criticism.|2fast|0https://id.worldcat.org/fast/924259
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
650 7 Detective and mystery stories.|2fast|0https://
id.worldcat.org/fast/891461
650 7 Detective and mystery stories, American.|2fast|0https://
id.worldcat.org/fast/891483
651 7 United States.|2fast|0https://id.worldcat.org/fast/1204155
651 7 Great Britain.|2fast|0https://id.worldcat.org/fast/1204623
655 4 Electronic books.
655 7 Film adaptations.|2fast|0https://id.worldcat.org/fast/
1710491
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
655 7 Film adaptations.|2lcgft|0https://id.loc.gov/authorities/
genreForms/gf2011026254
776 08 |iPrint version:|z9780813550619|z0813550610|w(DLC)
2010041968
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=433560|zOnline eBook. Access restricted to
current Rider University students, faculty, and staff.
856 42 |3Instructions for reading/downloading this eBook|uhttp://
guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20160616|cEBSCO|tebscoebooksacademic|lridw
994 92|bRID
