| Description |
1 online resource |
|
text file |
| Summary |
This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today. |
| Contents |
Intro -- Front matter -- Cover -- Half-title -- Title Page -- Copyright -- Table of Contents -- List of Figures -- Acknowledgements -- Introduction -- Representation and its discontents -- Notes -- The archaeological art historian -- Archaeological critique: mimesis as 'totem-notion' -- An aesthetics of the symptom -- Hysterical looking: Freud and Charcot -- Notes -- The materiality of images -- Fra Angelico -- Dissemblance and presence -- Notes -- Timely anachronisms -- Rethinking temporality -- Walter Benjamin -- Aby Warburg -- Montage -- Notes -- The empreinte -- Simon.Hantaï |
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Empreinte as trace, trace as empreinte -- Against.Vasari -- On the liminal status.of.wax -- The index as vestige -- Notes -- Making monsters -- Son of.Saul -- Notes -- Thinking.images -- Montage as an epistemological.tool -- Notes -- Conclusion -- Notes -- Bibliography -- Index |
| Bibliography |
Includes bibliographical references and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Didi-Huberman, Georges.
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Didi-Huberman, Georges. |
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Art historians -- France.
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Art historians. |
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France. |
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Image (Philosophy)
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Image (Philosophy) |
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ART / Criticism & Theory. |
| Genre/Form |
Electronic books.
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Electronic books.
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| Other Form: |
Print version: 1526149265 9781526149268 (OCoLC)1137806959 |
| ISBN |
9781526149251 (electronic book) |
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1526149257 (electronic book) |
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9781526149275 (electronic book) |
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1526149273 (electronic book) |
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1526149265 |
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9781526149268 |
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